"... the soul of this most interesting, even innovative project. Orchestra, chorus, soloists became one large, syncretically welded organism." - OperaNews.ru
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The Tale of Tsar Saltan at La Monnaie de Bruxelles, a symphonic program for the season opening at Teatro Regio di Torino, concerts with Philharmonic Orchestra Kiel, debuts at Salzburger Festspiele, Semperoper Dresden, Opernhaus Zürich, Wiener Staatsoper, return to Teatro alla Scala
Pique Dame and Romeo and Juliette ballet at Teatro alla Scala, Eugene Onegin at Bayerische Staatsoper, symphonic concerts with Rotterdam Philharmonic Orchestra and Filarmonica della Scala, a new production of Sadko staged by Dmitri Tcherniakov, George Balanchine’s Symphony in C and Maurice Béjart’s Gaîté Parisienne at Bolshoi Theatre Moscow, Tosca, The Snow Maiden, Eugene Onegin, Dubrovsky and the premieres of Mozart and Salieri and Kashchey the Immortal at Mariinsky Theatre St. Petersburg, over 45 titles among which Don Giovanni, Così fan tutte, Medea, Il barbiere di Siviglia, La bohème, Manon, Orphée et Eurydice, Pique Dame, The Secret Marriage, L’amour des trois oranges, Bluebeard’s Castle, Oedipus Rex at Stanislavsky Theatre Moscow.
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Dans la fosse, Timur Zanguiev joue une carte gagnante face à l’excellente phalange milanaise par l’assurance, la justesse et la maitrise de sa direction en symbiose totale avec les chanteurs et la dramaturgie : des débuts périlleux mais prometteurs, à suivre au delà de cette nouvelle production, au demeurant très réussie….
Dirigendo senza bacchetta, con gesto pulito e ampio, all’occorrenza energico e scattante, Zangiev dà, dell’elaborata partitura, una lettura raffinata e nitida, coesa e di lucida levigatezza, soffusa e al contempo vibrante, ottenendo dalla compagine scaligera un suono polito e dalle tinte pastello, all’occorrenza variegato in sonorità corrusche e maggiormente livide (in momenti quali, ad esempio, il temporale del I atto o il suicidio di Liza). Una direzione, quella di Zangiev, nella quale coesistono felicemente tecnica ferrea, rigore stilistico, squisita sensibilità interpretativa e duttilità timbrica, tutto molto apprezzato dagli spettatori.
The accents, somewhere lyrical, somewhere angry, were brightly and correctly placed by conductor Timur Zangiev, and helped the action without drowning out a single director's note.
Conductor Timur Zangiev and the orchestra under his direction were a separate, special joy. Amazing, thorough, emotional work
It is important that there were no rude denominations that kill the epic flow of the musical stream: grandeur and coloristic beauty, measure and harmony in the sound of the orchestra (under the baton of Timur Zangiev)…
