"... the soul of this most interesting, even innovative project. Orchestra, chorus, soloists became one large, syncretically welded organism." - OperaNews.ru
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Krzysztof Warlikowski, Stage Director
Krzysztof Warlikowski, Stage Director
Krzysztof Warlikowski, Stage Director
debut with Eugene Onegin at Bayerische Staatsoper, with premiere productions at Semperoper Dresden and La Monnaie, returns to Teatro alla Scala; concerts with Rotterdam Philharmonic Orchestra, Filarmonica della Scala among others.
Pique Dame at Teatro alla Scala, a new production of Sadko with Dmitri Tcherniakov, George Balanchine’s Symphony in C and Maurice Béjart’s Gaîté Parisienne at the Bolshoi Theatre Moscow; Tosca, The Snow Maiden, Eugene Onegin, Dubrovsky and the premieres of Mozart and Salieri and Kashchey the Immortal at the Mariinsky Theatre, over 45 titles among which Don Giovanni, Così fan tutte, Medea, Il Barbiere di Siviglia, La bohème, Manon, Orphée et Eurydice, Pique Dame, The Secret Marriage, L’amour des trois oranges, Bluebeard’s Castle, Oedipus Rex – all at the Stanislavsky Theatre Moscow.
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Dans la fosse, Timur Zanguiev joue une carte gagnante face à l’excellente phalange milanaise par l’assurance, la justesse et la maitrise de sa direction en symbiose totale avec les chanteurs et la dramaturgie : des débuts périlleux mais prometteurs, à suivre au delà de cette nouvelle production, au demeurant très réussie….
Dirigendo senza bacchetta, con gesto pulito e ampio, all’occorrenza energico e scattante, Zangiev dà, dell’elaborata partitura, una lettura raffinata e nitida, coesa e di lucida levigatezza, soffusa e al contempo vibrante, ottenendo dalla compagine scaligera un suono polito e dalle tinte pastello, all’occorrenza variegato in sonorità corrusche e maggiormente livide (in momenti quali, ad esempio, il temporale del I atto o il suicidio di Liza). Una direzione, quella di Zangiev, nella quale coesistono felicemente tecnica ferrea, rigore stilistico, squisita sensibilità interpretativa e duttilità timbrica, tutto molto apprezzato dagli spettatori.
The accents, somewhere lyrical, somewhere angry, were brightly and correctly placed by conductor Timur Zangiev, and helped the action without drowning out a single director's note.
Conductor Timur Zangiev and the orchestra under his direction were a separate, special joy. Amazing, thorough, emotional work
It is important that there were no rude denominations that kill the epic flow of the musical stream: grandeur and coloristic beauty, measure and harmony in the sound of the orchestra (under the baton of Timur Zangiev)…
