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Artist Profile

Andrei Popov - Profile picture
© Daniil Rabovsky

Tenor

Andrei Popov

"... Popov['s] voice ran rings around the tricky interventions of Agrippa and then blew us away with his entry as Mephistopheles"
- Bachtrack, David Karlin

Represented by

Alex Grigorev
alex@tact4art.com
+4915290004020

Katya Deleu
deleu@tact4art.com
+7 921 7654 661

Evgeniya Malygina
evgeniya@tact4art.com

Representation

General World


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Upcoming Past
Oct 2021
24.
19:00

19:00

Vladimir Jurowski, Conductor
Vladimir Jurowski, Stage Director

Oct 2021
27.
19:30

19:30

Vladimir Jurowski, Conductor
Vladimir Jurowski, Stage Director

Oct 2021
30.
19:00

19:00

Vladimir Jurowski, Conductor
Vladimir Jurowski, Stage Director

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Jul 2021
25.
22:00

22:00

Daniele Rustioni, Conductor
Rufus Didwiszus, Stage Director

Jul 2021
24.
22:00

22:00

Daniele Rustioni, Conductor
Rufus Didwiszus, Stage Director

Jul 2021
22.
22:00

22:00

Daniele Rustioni, Conductor
Rufus Didwiszus, Stage Director

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Biography Highlights

 
 

Future Engagements

  Police Inspector The Nose at Bayerische Staatsoper, Astrologer The Golden Cockerel at Festival d’Aix-en-Provence and Adelaide Festival, Devil The Night before Christmas at Frankfurt OperaVillage Drunk Lady Macbeth of Mtsensk at Enescu Festival; Herodes Salome, Vassili Mavra,  David Die Meistersinger von Nurnberg, Tsar Berendey  The Snow Maiden, Laca Klemen Jenufa at Mariinsky Theatre St. Petersburg.  

 
 

Recent Engagements

Scrivener Khovanshchina Cité de La Musique Paris, returns to Opéra national de Paris as Yeroshka in Prince Igor and Local Nihilist in Lady Macbeth of Mtsensk, Festival d’Aix-en-Provence and Opéra de Lyon as Astrologer The Golden Cockerel, Agrippa The Fiery Angel at Polish National Opera and Festival d’Aix-en-Provence, Village Drunk  Lady Macbeth of Mtsensk at Salzburger Festspiele; Sobinin A Life for the Tsar, Berlioz’s  Benvenuto Cellini, Mime in both Siegfried and Das Rheingold, the title part in Shchedrin’s The Lefthander, Police Inspector The Nose, Alfred in Die Fledermaus at Mariinsky Theatre in St. Petersburg.

 
 

Portraits

Andrei Popov
© Daniil Rabovsky

Agripa in Fiery Angel

Prokofiev

Agripa in Fiery Angel

Prokofiev

Ivan in The Nose

Shostakovich

Ivan in The Nose

Shostakovich

Scribe in Khovanshchina

Mussorgsky

Scribe in Khovanshchina

Mussorgsky

Discography

Andrei in Shostakovich: The Nose

Shostakovich: The Nose

Shostakovich “The Nose” with Chorus and Orchestra of the Mariinsky Theatre, conductor Valery Gergiev, 2009

Andrei in Rimsky-Korsakov: The Golden Cockerel

Rimsky-Korsakov: The Golden Cockerel

Rimsky-Korsakov “The Golden Cockerel” with Chorus and Orchestra of the Mariinsky Theatre, conductor Valery Gergiev, 2017

Andrei in Shchedrin: The Left-Hander

Shchedrin: The Left-Hander

Shchedrin: The Left-Hander

Andrei in Wagner: Das Rheingold

Wagner: Das Rheingold

Wagner: Das Rheingold

 

Reviews & Press

 
 

Paris National Opera - Borodin - Prince Igor - Yeroshka, a gudok-player

Ierochka du génial Andrei Popov
 

- Yannick Millon , Altamusica

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Parfait binôme « Skoula et Iérochka » d’Adam Palka et Andrei Popov, complémentaires et colorés
 

- Chantal Cazaux , L’Avant-Scène Opéra

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mais les deux soudards d'Adam Palka et Andrei Popov sont parfaitement appariés, apportant à l'épopée sa touche bouffonne.
 

- Emmanuel Dupuy , Diapason

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Aix-en-Provence Festival - Prokofiev - The Fiery Angel - Mephistopheles / Agrippa

Andreï Popov campe un Méphistophélès, et de manière plus retenue un Agrippa von Nettesheim, de saltimbanque. Il se donne en spectacle, de manière outrancière et outrageante, mobilisant un organe sonore et ductile jusqu’au cri. Le timbre est doré comme une icône orthodoxe.
 

- Florence Lethurgez , Olyrix

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 and the surprise packet of the evening was Andrei Popov, whose voice ran rings around the tricky interventions of Agrippa and then blew us away with his entry as Mephistopheles: this is yet another opera where the devil gets the best lines.
 

- David Karlin , Bachtrack

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Auch alle weiteren Partien bis hin zum hervorragenden Chor sind in dieser musikalisch und szenisch überaus geschlossen wirkenden Produktion hervorragend besetzt. Besonders Andrei Popov in den Rollen von Mephistopheles und Agrippa von Nettesheim, 
 

Online Musik Magazin

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Philharmonie de Paris - Wagner - Siegfried - Mime

Après un premier acte légèrement engorgé, Popov fait de nouveau des prouesses en Nibelung retors, trouvant le juste milieu entre art vocal et jeu scénique.
 

- Tristan Labouret , Bachtrack

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Philharmonie de Paris - Wagner - Siegfried - Mime

Andreï Popov se révèle un Mime truculent à souhait, sans gestuelle outrancière ni voix ridiculisée avec excès, se servant du texte pour donner tout son piquant au personnage.
 

- Claire-Marie Caussin , Forum Opera

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