© Daniil Rabovsky
Conductor
Mikhail Agrest
Principal Conductor of Stuttgart Ballet
"Mikhail Agrest’s direction of the orchestra was pure poetry and emotion." - Demokraatti
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Upcoming Past
Apr 2022
28.
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Mikhail Agrest, Conductor
Barbora Horáková Joly, Stage Director
Jan 2022
16.
20:00
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Mikhail Agrest, Conductor
Jan 2022
8.
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18:00
Mikhail Agrest, Conductor
Jan 2022
7.
19:30
19:30
Mikhail Agrest, Conductor
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Biography Highlights
Recent & Upcoming
Martinu's The Greek Passion for Staatsoper Hannover, I Pagliacci at Azerbaijan State Opera return to Semperoper Dresden and Finnish National Opera and Ballet, concert engagements with Stavanger Symphony Orchestra, St.Petersburg Symphony Orchestra, National Symphony of Taiwan, Singapore Symphony Orchestra, Sinfonia Varsovia and Lodz Philharmonic.
Past Engagements
The Legend of the Invisible City of Kitezh at the Metropolitan Opera, Švanda dudák, Swan Lake, Heatscape at the Semperoper Dresden, Eugene Onegin at the Finnish National Opera, Faust at the Zurich Opera, La Traviata, Don Giovanni at the Opera Australia, Tosca at the Swedish National Opera, Jenufa at the English National Opera. Collaboration with orchestras such as the London Philharmonic Orchestra, BBC Symphony Orchestra, Vancouver Symphony Orchestra, Saint-Petersburg Philharmonic, Bremer Philharmoniker, Aalborg Symphony Orchestra, Seattle Symphony, New West Symphony.
Portraits
© Daniil Rabovsky
© Daniil Rabovsky
© Daniil Rabovsky
© Daniil Rabovsky
© Daniil Rabovsky
© Daniil Rabovsky
© Daniil Rabovsky
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Verdi - Traviata
Verdi - Traviata
Discography
Reviews & Press
Finnish National Opere - Tchaikovsky - Eugene Onegin
Mikhail Agrest’s direction of the orchestra was pure poetry and emotion. Affection, hope, intellect, and beauty – every element was cherished like a petal of a flower. He led the orchestra through the musical narrative, like a good shepherd.
- Matti Saurama
It was a performance, so rare in our days, that showed integrity and unity of the musical and theatrical incarnations. In many respects this is due to the intelligent manner of the conductor,
music in the blood. A former student of Mariss Jansons, he led the orchestra, bringing out inner details and nuances , and musicians obediently trusted each of his maningful gestures
- Vladimir Dudin,
Stuttgart Ballet - Liszt - Mayerlink
Three cheers too for Mikhail Agrest and the Staatsorchester who have audibly worked hard to bring out the extraordinary richness and varied sonorities of John Lanchbery’s masterful arrangement of Liszt. In Stuttgart, this score was a new experience for both conductor and orchestra who have approached it with engagement and respect, making it sound fresh and singularly right. Agrest elicited magnificent playing, with warm string sound and emphatic brass. Time and time again, the detailing in the score was brought out in a way not heard in London.
- G. J. Dowler , Classical Source
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Scottish Opera - Prokifiev - The Fiery Angel
Agrest and the orchestra gave a muscular account of this powerful score,
- David Smythe , Bachtrack
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Mikhail Agrest keeps driving the music to its inexorable conclusion
