
Conductor
Mikhail Agrest
Principal Conductor of Stuttgart Ballet
"Mikhail Agrest’s direction of the orchestra was pure poetry and emotion." - Demokraatti
Represented by
Representation
"Mikhail Agrest’s direction of the orchestra was pure poetry and emotion." - Demokraatti
Represented by
Representation
Barbora Horáková, Stage Director
Jean-Marc Puissant, Stage Director
Barbora Horáková, Stage Director
Barbora Horáková, Stage Director
Eugene Onegin, Il barbiere di Siviglia, Martinu's The Greek Passion* for Staatsoper Hannover, I Pagliacci at Azerbaijan State Opera. Ballet productions for Opéra National de Paris, Bayerische Staatsoper, Finnish National Opera & Semperoper Dresden. Concert engagements with Stavanger Symphony Orchestra, St.Petersburg Symphony Orchestra, National Symphony of Taiwan, Singapore Symphony Orchestra, Bremer Philharmoniker, Sinfonia Varsovia, Silesian Philharmonic and Lodz Philharmonic.
(*cancelled)
The Legend of the Invisible City of Kitezh at the Metropolitan Opera, Švanda dudák, Swan Lake, Heatscape at the Semperoper Dresden, Eugene Onegin at the Finnish National Opera, Faust at the Zurich Opera, La Traviata, Don Giovanni at the Opera Australia, Tosca at the Swedish National Opera, Jenufa at the English National Opera. Collaboration with orchestras such as the London Philharmonic Orchestra, BBC Symphony Orchestra, Vancouver Symphony Orchestra, Saint-Petersburg Philharmonic, Bremer Philharmoniker, Aalborg Symphony Orchestra, Seattle Symphony, New West Symphony.
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Tchaikovsky - Eugene Onegin
Verdi - Traviata
Verdi - Traviata
Mikhail Agrest’s direction of the orchestra was pure poetry and emotion. Affection, hope, intellect, and beauty – every element was cherished like a petal of a flower. He led the orchestra through the musical narrative, like a good shepherd.
It was a performance, so rare in our days, that showed integrity and unity of the musical and theatrical incarnations. In many respects this is due to the intelligent manner of the conductor,
music in the blood. A former student of Mariss Jansons, he led the orchestra, bringing out inner details and nuances , and musicians obediently trusted each of his maningful gestures
Three cheers too for Mikhail Agrest and the Staatsorchester who have audibly worked hard to bring out the extraordinary richness and varied sonorities of John Lanchbery’s masterful arrangement of Liszt. In Stuttgart, this score was a new experience for both conductor and orchestra who have approached it with engagement and respect, making it sound fresh and singularly right. Agrest elicited magnificent playing, with warm string sound and emphatic brass. Time and time again, the detailing in the score was brought out in a way not heard in London.
Agrest and the orchestra gave a muscular account of this powerful score,
Mikhail Agrest keeps driving the music to its inexorable conclusion