“dynamism personified, with a voice to match… She has a positively huge, attention-grabbing clarion voice”
- Mike Hardy - OperaWire
Represented by
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Tobias Wögerer, Conductor
Henry Mason, Stage Director
Tobias Wögerer, Conductor
Henry Mason, Stage Director
Tobias Wögerer, Conductor
Henry Mason, Stage Director
Alfred Eschwé, Conductor
Lotte de Beer, Stage Director
Alfred Eschwé, Conductor
Lotte de Beer, Stage Director
La messaggiera Martano Le lacrime di Eros, Makuba How Anansi freed the stories of the world at the Dutch National Opera, Ježibaba Rusalka at Staatsoper Stuttgart, Carmen, Frau Reich Die Lustigen Weiber von Windsor at Volksoper Wien and a return to The Royal Opera House.
Junon Platée at Opernhaus Zürich, Suzy La Rondine at Volksoper Wien, Bersi Andrea Chénier at The Royal Opera House, Tisbe La Cenerentola, Iolanta, Vénus Orphée aux enfers, Dritte Dame Die Zauberflöte, Prinz Orlofsky Die Fledermaus at Volksoper Wien, Gertrude Roméo et Juliette, Ježibaba Rusalka at Staatsoper Stuttgart, Paola La Princesse de Trébizonde recording with Opera Rara, Proserpine Eurydice - Die Liebenden, blind, Makuba How Anansi Freed the Stories of the World, Petite messe solennelle with the Dutch National Opera.
Mrs. von Luber in Der Silbersee for MUMUTh Graz, debut at Graz Opera as the Mother in Amahl and the night visitors of Gian Carlo Menotti, Dorabella Cosi Fan Tutte and Mme. de Croissy Dialogues of the Carmelites. Maddalena Rigoletto; Marcellina Le Nozze di Figaro, the Countess of Schwabbel Cinderella (Massenet German version), Zita in Gianni Schicchi, Nerone in L'incoronazione di Poppea, Ganymed in Die schöne Galathée; performed Hans Krása's opera Brundibár at a commemorative ceremony in the Austrian parliament.
The first prize in the youth singing contest "Prima la Musica" in Austria; the press prize at the "IVC" contest of 's Hertogenbosch in 2018; the first prize - Nordfriesische Liedpreis at Husumer Liedkunst Wettbewerb 2019; Special prize at HansGabor Belvedere Competition 2019; Special prize of Viñas Competition 2022.
Fledermaus - Orlofsky - Ich lade gern mir Gäste ein
Fledermaus - Orlofsky - Ich lade gern mir Gäste ein
The Rake's Progress
International Voice Competition (IVC) in 's-Hertogenbosch - Baba's aria
The Rake's Progress
International Voice Competition (IVC) in 's-Hertogenbosch - Baba's aria
zongen trouwens ook nog mezzosopraan Katia Ledoux en tenor Zachary Wilder, ook zij zongen bijzonder goed
Mezzo-soprano Katia Ledoux as messenger, the messenger or storyteller, has a glowing power in her voice
Katia Ledoux, in the role of Bersi, Maddelena’s servant, was positively dynamism personified, with a voice to match. The French mezzo-soprano made her mark early in Act two, now a merveilleuse, where she sings of the Revolution. She has a positively huge, attention-grabbing clarion voice, and I suspect that she is destined for bigger and greater things.
Katia Ledoux gives notice of an impressive voice as Bersi
A rising star to watch out for with Katia Ledoux’s Bersi
Die Rolle von Juliettes treuer Gefährtin Gertrude war mit Katia Ledoux besetzt. Sie meisterte ihre Partie der wissenden Begleiterin, ebenfalls überzeugend.
French mezzo-soprano Katia Ledoux gave a strong performance as Gertrude, the nurse tending to Juliette and her troubles.
The role of Gertrude is rather small, but Katia Ledoux’s velvety mezzo didn’t fail to catch my attention in it. She also acted with great dignity.
Grossartig wird die pralle Schenkwirtin im Gasthaus an der litauischen Grenze von Katia Ledoux porträtiert. Ihre Darstellung ist umwerfend.
D’une merveilleuse présence maternelle, Katia Ledoux brosse une splendide scène de la Lettre.
Katia Ledoux displayed an attractive mezzo-soprano as the brothers’ mother Geneviève
De enige Franse zanger was Katia Ledoux (Geneviève), en met perfecte dictie sprong zij er in haar kleine rol echt uit.
