© Christian Felber
Tenor
Mauro Peter
"Mauro Peter is a real discovery, a classic Mozartian tenor with warmth and style."
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Upcoming Past
Aug 2025
29.
19:00
19:00
Tarmo Peltokoski, Conductor
Romain Gilbert, Stage Director
Aug 2025
31.
16:00
16:00
Tarmo Peltokoski, Conductor
Romain Gilbert, Stage Director
Sep 2025
7.
13:00
13:00
Tarmo Peltokoski, Conductor
Romain Gilbert, Stage Director
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Aug 2025
27.
19:30
19:30
Tarmo Peltokoski, Conductor
Romain Gilbert, Stage Director
Aug 2025
17.
21:15
21:15
Patrik Ringborg, Christoph Altstaedt, Conductor
Philipp Stölzl, Stage Director
Jul 2025
17.
21:15
21:15
Patrik Ringborg, Christoph Altstaedt, Conductor
Philipp Stölzl, Stage Director
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Biography Highlights
Upcoming
Loge Das Rheingold at Oper Köln, Zender’s Winterreise at Staatsoper Berlin, Tamino Die Zauberflöte at Festival d’Aix-en-Provence, Tamino with Kammerphilharmonie Bremen at Musikfest Bremen, Elbphilharmonie Hamburg, Dortmund and Bucharest, St.Matthew's Passion with Accademia Nazionale di Santa Cecilia and with the Bergen Philharmonic.
Recent
Ferrando Così fan tutte, Narraboth Salome and Nemorino L’elisir d’amore at Opernhaus Zürich, Le Prince L’amour des trois oranges at Semperoper Dresden, New Year Concert at Staatsoper Berlin, Ferrando Così fan tutte in Tokyo, Max Der Freischütz at the Bregenzer Festspiele, Tamino Die Zauberflöte with Opéra national de Paris, Semperoper Dresden, and Salzburger Festspiel, Eisenstein Die Fledermaus at Musikverein Graz.
Portraits
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
Reviews & Press
Teatro Real Madrid - Mozart - Don Giovanni - Don Ottavio
Mauro Peter sang the role of Don Ottavio with a gorgeous voice and beautiful style. His role was cut short with the omission of his second aria “Il mio Tesoro.” As a result, the role was reduced to some ensembles and a single aria, “Dalla sua pace.” “Dalla sua pace” might be one of the most difficult arias in the Mozart repertoire as it does not go higher than G. Not only is it written continuously in the passagio zone but demands a sweet timbre which is quite difficult to achieve in that tessitura. Peter sang the aria incredibly with a clean onset and showcased a great contrast between fortes and pianissimi. He also displayed an exquisite mezza voce and excellent breath control. It simply could not be better sung.
- Mauricio Villa , OperaWire
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Zurich Opera - Handel - Belshazzar - Belshazzar
Das Ensemble profiliert sich mit untadeligen Rollendebüts, allen voran Mauro Peter. Er verleiht der Titelgestalt juveniles Ungestüm, gepaart mit tenoraler Strahlkraft. Mit trotzigem Furor begegnet er dem Rat seiner besorgten Mutter und dem göttlichen Urteil. Dieses erscheint übrigens nicht als Flammenschrift an der Wand, sondern als Brandmal auf seinem Unterarm - ein rarer überzeugender Regieeinfall!
- Bruno Rauch , Bote
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Und auch der Luzerner Tenor Mauro Peter als Belshazzar geht aufs Ganze: Seine Stimme verrät die Lust am Exzess, seine Gestik jene an der Macht.
