© Yurii Litvinenko
Bass
Taras Berezhansky
"... one of the most cheered singers, a powerful and beautiful voice, enormous musicality and a convincing performance" - Visionescriticas
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Past
Jun 2024
21.
18:00
18:00
Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
Jun 2024
18.
18:00
18:00
Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
Jun 2024
15.
18:00
18:00
Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
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Biography Highlights
Upcoming & Recent
The Emperor and a bass solo The Nightingale and Other Fables with Opéra de Lyon* and Adelaide Festival, Sparafucile Rigoletto with Ópera Nacional de Chile, Colline La bohème at Puccini Festival in Torre del Lago, Gremin Eugene Onegin with Ópera Nacional de Chile* and Theater Klagenfurt, Attila and Ramfis Aida* with Opera Australia, Renard with Berliner Philharmoniker, Sarastro Die Zauberflöte with the Israeli Opera, Don Geronio Il turco in Italia at Pärnu International Opera Music Festival, Ramfis Aida, Sarastro Die Zauberflöte, Ferrando Il Trovatore, Colline La Bohème, Sparafucile Rigoletto, Timur Turandot with Lviv National Opera. [*- cancelled]
Portraits
© Yurii Litvinenko
© Yurii Litvinenko
© Yurii Litvinenko
© Yurii Litvinenko
© Yurii Litvinenko
Lyubvi vse vozrasty pokorny
Lyubvi vse vozrasty pokorny
A te l'estremo addio...
A te l'estremo addio...
O Isis und Osiris
O Isis und Osiris
Reviews & Press
Bydgoski Festiwal - Puccini - Turandot - Timur
...the magnificent voice was the outstanding beauty of the sumptuous yet sonorous and warm bass of Taras Berezhanskyi playing the role of Timur, the dethroned king of the Tatars....
- Anita Nowak , e-teatr.pl
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Santiago de Chile Opera - Mozart - Die Zauberflöte - Sarastro
Por su parte, y al igual que en la temporada pasada tras su irrupción en Rigoletto, uno de los cantantes más celebrados por el público, fue el bajo ucraniano Taras Berezhansky —dueño de una hermosa y poderosa voz, y provista de una exuberante musicalidad—; y quien ofreció una contundente versión del pagano sacerdote Sarastro, en especial cuando le correspondió abordar la famosa aria In diesen heil’gen.
- Enrique Morales Lastra , Cine y Literatura
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Verdi - Rigoletto - Sparafucile
Una revelación fue el bajo ucraniano Taras Berezhansky, quien cantó al peligroso Sparafucile sin hacer ningún aspaviento teatral; es un cantante que hay que aprovechar antes de que se vuelva inalcanzable para las desmedradas arcas del Municipal.
- Juan Antonio Muñoz , operaactual.com
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Sparafucile es interpretado por Taras Berezhansky. Con buena voz de bajo supo posesionarse en su rol.
- Cecilia Carvallo , elmostrador.cl
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Opera Australia - Verdi - Attila - Attila
Thankfully there’s some fantastic singing to be had, beginning with Ukrainian bass Taras Berezhansky in the title role. ...What he currently brings to the role is firm, resonant tone with plenty of vocal colour, and he occupies the stage with charisma and easy authority. His dream scene was a true highlight, melding menace with moments of vulnerability and pathos.
- Justine Nguyen , Limelight
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Ukrainian Taras Berezhansky, in time, looks set to take his place in this august company. He has a full, well-focused vocal tone and an imposing stage presence; [...] There were several highlights in his performance, including his dramatic entrance astride a dark horse, but his expressive, nuanced, and dramatic expressiveness in the confrontation with Pope Leo at the end of Act I was memorable. His evocative vocal and textual articulation captured the growing terror of this seemingly implacable and impervious character as he prostrates himself to a higher power in the spine-tingling Verdian act finale.
- Michael Halliwell , Australian Book Review
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Ukrainian bass Taras Berezhansky was outstanding as Attila. Firm and focused across his range, Berezhansky’s appealing, dark-hued timbre and resounding strength captured Attila’s imposing authority and arrogant certainty.
The Australian
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Stadttheater Klagenfurt - Tchaikovsky - Eugene Onegin - Gremin
Mit allen Tiefen und viel Noblesse singt Taras Berezhansky den Fürsten Gremin
- Helmut Christian , Kleine Zeitung
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Il basso Taras Berezhnsky, originario dell’Ucraina, ha dato il suo mezzo vocale, corretto e di grande generosità, alla figura del Pincipe Gremin, in linea con la lettura registica non senile del personaggio.
- Vittorio Mascherpa , Operaclick
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Verdi - Rigoletto - Sparafucile, an assassin
Taras Berezhansky had menace in the low register and unyielding vocal firmness as the assassin Sparafucile
- Peter McCallum , The Sydney Morning Herald
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Taras Berezhansky, was a revelation as Sparafucile. Here was handsome young man with a rich evenly placed bass voice. He was in turns chilling, particularly threatening with his sister – believable in his thieves honour – and respectful of the death bargain he has struck with Rigoletto.
- Gar Jones , Words and Musi
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Taras Berezhansky, as sinister gravelly voiced Sparafucile, menacing assassin and publican was macho and dominating.
- Lynne Lancaster , Sydney Arts Guide
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Verdi - Rigoletto - Sparafucile, an assassin
Taras Berezhansky as Sparafucile, who’s velvety yet sinister tone was beguiling, played his character with believable sincerity.
- Leighton Jones , Bachtrack
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Taras Berezhansky provided us with a chilling Sparafucile and his powerful voice and dark vocal timbres were ideally suited to the role. Fleur Barron’s Maddalena was a saucy, manipulative creature and she sang with confidence and ease.
- Robert Beattie , Seen and Heard
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Puccini - La Boheme - Colline, a philosopher
Berezhansky made his OA debut last year as Sparafucile, and his stylish, subtle turn here as the philosopher of the group only reaffirmed my favourable impression of the singer. It’s a beautifully weighty instrument that has exciting repertoire options ahead of it, and for once the Coat Aria felt like an affecting moment of sacrifice rather than an irritating hold up to the drama.
- Justine Nguyen , Limelight Magazine
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Taras Berezhansky as the philosopher Colline was amiably woolly, gruff and melodious in the coat song in the final act.
- Peter McCallum , The Sydney Morning Herald
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Verdi - La forza del destino - Il Padre Guardiano
La mayor revelación fue el ucraniano Taras Berezhansky, un Padre Guardiano con voz de grano oscuro, esmalte sin melladura, calibre poderoso. Un placer escuchar sus descensos a los Fa grave que pide la partitura, no meramente rozados, sino prodigados con duradera soltura, todo ello unido a un desenvolvimiento actoral que transmite la nobleza y profundidad humana de un personaje de pocas aristas. Es de retener este nombre, que bien podría alcanzar una consagración de primer plano internacional.
- Andrés Yaksic , Economia y Negocios
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mientras la gran revelación de este elenco fue un espléndido bajo ucraniano, Taras Berezhansky, un sonoro Padre Guardiano de bella voz, cómodo en todo el registro.
Una Voce Poco Fa
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El bajo ucraniano Taras Berezhansky fue uno los cantantes más ovacionados, las razones; una poderosa y bellísima voz, tiene enorme musicalidad y convincente actuación, creemos que sería una gran noticia saber que volvería al escenario del Municipal, su Padre Guardiano fue de prestancia inolvidable.
