© Christian Felber
Tenor
Mauro Peter
"Mauro Peter is a real discovery, a classic Mozartian tenor with warmth and style."
Represented by
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Past
Aug 2024
17.
21:00
21:00
Enrique Mazzola/Erina Yashima, Conductor
Philipp Stölzl, Stage Director
Aug 2024
14.
21:00
21:00
Enrique Mazzola/Erina Yashima, Conductor
Philipp Stölzl, Stage Director
Aug 2024
10.
21:00
21:00
Enrique Mazzola/Erina Yashima, Conductor
Philipp Stölzl, Stage Director
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Biography Highlights
Upcoming
Mendelssohn’s Lobgesang in Pisa with the Slovenian Philharmonic, in Tokyo Kioi Hall with Chamber Orchestra Tokyo and in Wiener Musikverein with the Wiener Symphoniker; Mozart’s Requiem on Tour in Théâtre des Champs Elysées, Tamino at Semperoper Dresden, Die Schöfung in Genoa with Riccardo Minasi, Così fan tutte in Opernhaus Zürich; again the Advent Concert in Dresden with Christian Thielemann for the ZDF Television. Recording and concerts of Beethoven’s Symphony No. 9 with Antonello Manacorda in Berlin, St John Passion in Amsterdam and Montreal, Mozart’s Requiem with Ivor Bolton at La Fenice in Venice, debut as Max Der Freischütz at the Bregenz Festival.
Recent
Tamino Die Zauberflöte with Opéra national de Paris and Semperoper Dresden, Narraboth Salome at Opernhaus Zürich, Eisenstein Die Fledermaus at Musikverein Graz, Nemorino L’elisir d’amore at Opernhaus Zürich, and Mozartwoche Salzburg, Tamino Die Zauberflöte at Salzburger Festspiele, Azaël L'enfant prodigue with Orquesta Sinfónica de Galicia, concerts and recitals with Berliner Philharmoniker, Boston Symphony Orchestra, Wiener Symphoniker, Münchner Philharmoniker, Dresdner Staatskapelle, Wigmore Hall, Concertgebouw Amsterdam, Palau de la Música Catalana, Orquesta y Coro Nacionales de España, Mozartwoche Salzburg, KKL Luzern, Basel, Bern, Accademia Nazionale di Santa Cecilia, Musikverein Graz, Musikverein Wien, Wiener Konzerthaus and Schubertiade in Schwarzenberg.
Portraits
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
© Christian Felber
Reviews & Press
Teatro Real Madrid - Mozart - Don Giovanni - Don Ottavio
Mauro Peter sang the role of Don Ottavio with a gorgeous voice and beautiful style. His role was cut short with the omission of his second aria “Il mio Tesoro.” As a result, the role was reduced to some ensembles and a single aria, “Dalla sua pace.” “Dalla sua pace” might be one of the most difficult arias in the Mozart repertoire as it does not go higher than G. Not only is it written continuously in the passagio zone but demands a sweet timbre which is quite difficult to achieve in that tessitura. Peter sang the aria incredibly with a clean onset and showcased a great contrast between fortes and pianissimi. He also displayed an exquisite mezza voce and excellent breath control. It simply could not be better sung.
- Mauricio Villa , OperaWire
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Zurich Opera - Handel - Belshazzar - Belshazzar
Das Ensemble profiliert sich mit untadeligen Rollendebüts, allen voran Mauro Peter. Er verleiht der Titelgestalt juveniles Ungestüm, gepaart mit tenoraler Strahlkraft. Mit trotzigem Furor begegnet er dem Rat seiner besorgten Mutter und dem göttlichen Urteil. Dieses erscheint übrigens nicht als Flammenschrift an der Wand, sondern als Brandmal auf seinem Unterarm - ein rarer überzeugender Regieeinfall!
- Bruno Rauch , Bote
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Und auch der Luzerner Tenor Mauro Peter als Belshazzar geht aufs Ganze: Seine Stimme verrät die Lust am Exzess, seine Gestik jene an der Macht.
