© He Ping (copyright free)
Tenor
Long Long
A glorious voice, even across all registers with an ideal combination of ardour and flexibility.
- bachtrack
Represented by
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
BACK TO ARTISTS OVERVIEW
Upcoming Past
Jan 2025
3.
18:00
18:00
Asher Fisch, Conductor
Bárbara Lluch, Stage Director
Jan 2025
5.
18:00
18:00
Asher Fisch, Conductor
Bárbara Lluch, Stage Director
Jan 2025
24.
19:30
19:30
David Stern, Conductor
Tara Faircloth, Stage Director
SHOW MORE
Dec 2024
27.
18:00
18:00
Asher Fisch, Conductor
Bárbara Lluch, Stage Director
Dec 2024
18.
18:00
18:00
Ivan Repušić, Conductor
Filippo Sanjust, Stage Director
Dec 2024
14.
19:30
19:30
Ivan Repušić, Conductor
Filippo Sanjust, Stage Director
SHOW MORE
Biography Highlights
Current and upcoming
House debut as Roméo Roméo et Juliette with Staatsoper Berlin, Edgardo Lucia di Lammermoor with Deutsche Oper Berlin, Alfredo Germont La traviata with Deutsche Oper am Rhein, Faust with the Canadian Opera Company, Rodolfo La bohème at the Santa Fe Opera Festival, return to Semperoper Dresden as Rodolfo La bohème, Staatsoper Hamburg as Roberto Maria Stuarda, return to the Bregenzer Festspiele and Atlanta Opera.
Other engagements
Roméo Roméo et Juliette at Dallas Opera, Gérald Lakmé at NCPA Beijing, Tamino Die Zauberflöte at The Royal Opera House and Semperoper Dresden, Rodolfo La bohème at Atlanta Opera, Semperoper Dresden, Opéra National Montpellier, Staatsoper Hamburg, the Glyndebourne Festival, Staatsoper Hamburg, Nadir Les pêcheurs de perles with Staatsoper Hannover, Alfredo La traviata with Ópera Nacional de Chile, Il Duca Rigoletto with Oper Frankfurt, the Bregenzer Festspiele and the Prague National Theatre, Don Ottavio Don Giovanni with the Dutch National Opera and the Israeli Opera, Alfredo La traviata, Tamino Die Zauberflöte at Komische Oper Berlin, Don Ottavio Don Giovanni, Nemorino L’elisir d’amore, Rodolfo La bohème und Tamino Die Zauberflöte with Staatsoper Hannover.
Awards and Education
Long is a winner of the prestigious singing competition Neue Stimmen, also third prize winner at the Francisco Viñas Singing Contest in Barcelona and was awarded third prize and a total of five special prizes at the Moniuszko Vocal Competition in Warsaw. In 2017, he received the "Giovani Voci Verdiane" prize as winner of the Verdi Competition in Busseto, and in 2016 Le Grand Prix de l'Opéra during International Voice Competition of the Bucharest National Opera House.
Long was a member of the Opera Studio of the Bayerische Staatsoper in Munich, he also took part in Salzburg Festival Young Singers Project and Georg Solti Academy.
Portraits
© He Ping
© He Ping (copyright free)
© He Ping (copyright free)
© He Ping
© He Ping
© He Ping
© He Ping
© He Ping
© He Ping
© He Ping
© He Ping
Gounod - Roméo et Juliette - Ah! Lève toi, soleil
Gounod - Roméo et Juliette - Ah! Lève toi, soleil
Lehár - Das Land des Lächelns - Dein ist mein ganzes Herz
Lehár - Das Land des Lächelns - Dein ist mein ganzes Herz
Puccini - La bohème - Che gelida manina'
Puccini - La bohème - Che gelida manina'
Reviews & Press
Gounod, C. - Faust - Faust
The COC has cast a winning duo of young Chinese singers making their Canadian debuts in the lead roles. Tenor Long Long (not to be confused with the famed pianist Lang Lang) is a natural Faust, with a golden sound that carries even in pianissimo. His versatile range soars from a deep baritone to glorious high Bs and Cs. His “Salut demeure chaste et pure” is a fine showcase of his nimble instrument. Also an expressive actor, his displays of despair, fervent love and grief are convincing.
- Denise Lai , My Scena
Read this article
Thankfully, the COC has assembled a superb cast. Tenor Long, who earlier this year won the Maria Callas Debut Artist of the Year award by the Dallas Opera after singing another Gounod role, exudes both passionate ardour and philosophical wonder as the title character.
- The Star
Read this article
Long Long as Faust was very effective vocally, hitting all the important high notes and especially sympathetic in that opening scene when he’s the old man on the verge of suicide. For me this was one of the best scenes and got us off to a great start.
barczablog
Read this article
SHOW MORE
Verdi - Traviata - Alfredo Germont
El Teatre Principal de Palma ha tancat la temporada operística amb La Traviata. L’Alfredo Germont del tenor xinès Long Long, els comprimaris i els cossos estables del Teatre signen la part més destacada d’aquesta producció.… L’Alfredo del tenor xinès Long Long fou el millor de la vetllada. Una troballa grata, sorprenent pel seu timbre atractívol —amb el cos necessari—, també per una dicció italiana di tutto rispetto, però, sobretot, per un fraseig expressiu amb detalls enlluernadors, a la mediterrània manera.
- Ferran Vila i Riera , tempsarts.cat
Read this article
"La traviata": An exuberant dramatic and ensemble work
Long Long (Alfredo) is an exceptional singer, and his performance as Alfredo in La Traviata was a delight for viewers at the premiere performance...Owner of a great coloratura, his voice has a natural facility to extend into the highest notes and endow them with pleasant ornamentations or flourishes. In addition, his sound power means that at times his timbre can be heard in the form and characteristics of a spinto lyrical tenor.
- Enrique Morales Lastra , Cinema and Literature
Read this article
Verdi - Traviata - Alfredo Germont
El tenor chino Long Long entrega un Alfredo en toda su dimensión, su cuerda de lírico químicamente puro -con patente carácter de spinto- lo despliega con heroísmo y pasión. Long Long tiene un timbre brillante, diáfano, de gran volumen y sentido dramático, con el que aborda el dramatismo del enamorado y configura un amante aguerrido y sufriente.
- Toda la Cultura , Toda la Cultura
Read this article
Tchaikovsky - Iolanta - Count Vaudémont
Großartig auch Long Long als Vaudémont, er klingt als sei die Partei für ihn geschrieben, meistert mit Leichtigkeit alle Höhen, lässt edle Piani hören und kann in seine Stimme alle Emotionen des romantischen Liebhabers legen
- Susanne Kittel-May , Online Mercker
Read this article
Und welch ein Pfund mit Freddie De .com Wassili) und Long Long aantal, démont) gleich zwei viel- versprechende Spinto-Tenöre Opernstudio angehören.
Münchner Merkur
ebenso wie Long Long, der fulminant und flamboyant den Vaudémont singt und spielt
- Egbert Tholl , Süddeutsche Zeitung
Read this article
Verdi - Rigoletto - Duke of Mantua
His tenor is overtone-rich and expressive with a gentle vibrato – in fact a voice one could happily listen to all day. Nearly as impressive is Long’s acting, which successfully trod the fine line of being seemingly sincere in his love to Gilda but without entirely hiding the Duke’s real nature.
- Niklas Smith , Seen and Heard International
Read this article
Der zweite Bregenzer im Bunde ist das ehemalige hannoversche Ensemblemitglied Long Long, der als Herzog von Mantua an die Staatsoper Hannover zurückkehrt und eine wahre Glanzleistung abliefert. Mit seinem strahlenden Tenor erreicht er mühelos – nicht nur bei der berühmten Arie „La donna è mobile“ – kraftvolle Höhen, für die er vom Publikum mit vielen Bravo-Rufen gefeiert wird.
- Dominik Lapp , Kulturfeder
Read this article
Long Long als Herzog von Mantua ist genau der richtige für den betörenden Schmelz und die stimmliche Überzeugungskraft in Kombination mit der arroganten Herablassung
Das OpernGlas
SHOW MORE
Mozart - Don Giovanni - Don Ottavio
Long Long als Don Ottavio sang die berühmte Arie nicht als der übliche chancenlose Fantast mit beschränktem Realitätsvermögen. Mit einem kraftvollen und stabilen Tenor gestaltete er die Rolle mit weit mehr Gewicht und glänzte noch mit dem überraschenden Einschub eines hohen Cs! Von ihm wird man in anspruchsvolleren Rollen noch sehr viel hören.
- Klaus Billand , Online Merker
Read this article
Puccini - La bohème - Rodolfo
It’s a glorious voice, even across all registers with an ideal combination of ardour and flexibility. He’s also a convincing actor, phrasing his big aria as if he were saying the words for the very first time. One could hear his potential to grow into bigger roles in Rodolfo’s big outbursts, where he filled the auditorium with golden sound.
