©
Soprano
Caterina Marchesini
Represented by
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
BACK TO ARTISTS OVERVIEW
Past
Oct 2024
31.
19:00
19:00
Leonardo Sini , Conductor
Guy Montavon, Stage Director
Oct 2024
27.
19:00
19:00
Leonardo Sini , Conductor
Guy Montavon, Stage Director
Oct 2024
12.
15:30
15:30
Fabio Biondi, Conductor
Daniele Menghini, Stage Director
SHOW MORE
Biography Highlights
Recent & Upcoming
Leonora in a new production of La Forza del Destino with Buenen Bern and at Teatro Comunale di Bologna, Lina Stiffelio at Teatro Filarmonico di Verona, Mimi La boheme with Teatro Sociale di Rovigo and Theater Kiel, Rosalinde Die Fledermaus at Opera Ballet Vlaanderen in Antwerp and Opera Ghent, Liu Turandot at Teatro Verdi di Trieste, debuts in L'elisir d'amore with AsLiCo at the Royal Opera House in Muscat, in Treviso and Cortina, Beethoven's 9th at the Theaters of Rovereto and Vicenza, Giselda I Lombardi alla prima crociata at Teatro Regio in Parma, the DEBUT 2022 Gala Concert with the Philharmonisches Orchester Würzburg at the Tauber Philharmonie in Weikersheim, the SWR Junge Opernstars 2023 concert with the Deutsche Radio Philharmonie conducted by Valentin Uryupin, Verdi Requiem, Suor Angelica, Donna Anna Don Giovanni at Teatro Ristori di Verona, Amelia Un Ballo in Maschera at Teatro Verdi di Busseto (Festival Verdi 2024).
Portraits
©
©
©
©
©
©
©
©
Duetto Stiffelio/Lina - Stiffelio, G. Verdi - Caterina Marchesini, Luciano Ganci
Duetto Stiffelio/Lina - Stiffelio, G. Verdi - Caterina Marchesini, Luciano Ganci
Stiffelio: Ah dagli scanni eterei - Giuseppe Verdi
Stiffelio: Ah dagli scanni eterei - Giuseppe Verdi
La forza del destino: la Vergine degli angeli - G. Verdi
La forza del destino: la Vergine degli angeli - G. Verdi
La forza del destino: Me pellegrina ed orfana - G. Verdi
La forza del destino: Me pellegrina ed orfana - G. Verdi
Reviews & Press
Teatro Verdi di Busseto - Un ballo in maschera - Amelia
Caterina Marchesini, with her slightly metallic timbre but solid technique, brought intensity to the role of Amelia.
- Antonio Somma, Eugène Scribe , L’OPERA OGGI
Read this article
Caterina Marchesini, as Amelia, has excellent technique and a flowing voice; she does everything as written and even respects the breathing marks, proving outstanding in Orrido campo and extremely confident in reaching the high notes.
- Mattia Marino Merlo , il trillo parlante
Read this article
Teatro Verdi di Trieste - Turandot - Liù
The one who truly earned her well-deserved success was Caterina Marchesini as Liù, delivering a performance that grew in strength: …it was in the death scene that the soprano from Vicenza played her best cards, with a supple, rounded voice and excellent dramatic identification with the character.
- Martino Pinali , Opera Click
Read this article
Opera Vlaanderen - Die Fledermaus - Rosalinde
Caterina Marchesini captivates as Rosalinde with her lovely stage presence—both affected and nonchalant—which suits the role well, along with her rich voice and expressive singing.
- Sébastien Foucart , ConcertoNet.com
Read this article
Caterina Marchesini’s Rosalinde benefits from a wide, well-controlled voice, with ample middle range, firmly grounded low notes, and a magnificent sense of nuance that makes the Csárdás "Klänge der Heimat" a true delight.
- Tania Bracq , Forum Opera
Read this article
Festival Verdi - Un Ballo in Maschera - Amelia
Caterina Marchesini is Amelia, with fire-red nails and a severe dress; her voice is full, well-colored, and steady throughout the opera; her vocal delivery is controlled and attentive to expressing the most intimate nuances of a character that the staging might otherwise risk overshadowing.
- Francesco Rapaccioni , Wanderer
Read this article
Caterina Marchesini’s Amelia, who succeeds well in mastering a role that undoubtedly requires great maturity.
The Blogartpost
Read this article
Caterina Marchesini, as Amelia, has excellent technique and a flowing voice; she does everything as written and even respects the breathing marks, proving outstanding in Orrido campo and extremely confident in reaching the high notes.
