Mezzo Soprano
Ruby Dibble
Represented by
Representation
Represented by
Representation
Lorenzo Passerini, Conductor
R.B. Schlather, Stage Director
Lorenzo Passerini, Conductor
R.B. Schlather, Stage Director
Lorenzo Passerini, Conductor
R.B. Schlather, Stage Director
Un Musico in Manon Lescaut, Mercédès in Carmen, Isaura in Tancredi at Oper Frankfurt, Le Prince Charmant in Cendrillon at Oberlin Opera, Dorabella in Così fan tutte, Elle in La voix humaine at Curtis Institute of Music, Carmen in Bel Canto Aspen Music Festival, Sesto in La clemenza di Tito, Blanche de la Force in Dialogues des Carmélites at The Juilliard School, Berta Il Barbiere di Siviglia at Lyric Opera of Kansas City
Dialogues des Carmelites: Oh, mon Pere
Dialogues des Carmelites: Oh, mon Pere
Carmen: Habanera
Carmen: Habanera
O mio Fernando
O mio Fernando
Two on the Aisle: If you hadn't, but you did
Two on the Aisle: If you hadn't, but you did
The ensemble had some true standouts, namely… Ruby Dibble as a seductively sung Flora
Dibble commanded the stage with her powerful voice, agile movements, and captivating presence
Dibble’s voice was agile and clear, with a steeliness that flashed out when impassioned. Her “Parto, parto,”…had a beautiful emotional ebb and flow.
Ruby Dibble’s magnificent mezzo-soprano was impressive
Ruby Dibble (Jane Quig/Annie the Serving Girl) impressed with her dark-hued, plummy and rich mezzo-soprano