
Bass
Maxim Kuzmin-Karavaev
"...[the Russian Bass] was the embodiment of the Guardian Father with an attractive voice, complete serious vocal solemnity, and a presence that the character requires." - Una voce poco fa
Represented by
Representation
"...[the Russian Bass] was the embodiment of the Guardian Father with an attractive voice, complete serious vocal solemnity, and a presence that the character requires." - Una voce poco fa
Represented by
Representation
Dvorak, A. - Rusalka - Vodník
Dutch National Opera
Joana Mallwitz, Conductor
Philipp Stölzl, Stage Director
Dvorak, A. - Rusalka - Vodník
Dutch National Opera
Joana Mallwitz, Conductor
Philipp Stölzl, Stage Director
Dvorak, A. - Rusalka - Vodník
Dutch National Opera
Joana Mallwitz, Conductor
Philipp Stölzl, Stage Director
Debuts with the Dutch National Opera in the staged version of Verdi Requiem, and as Vodnik Rusalka, the role he also performs with Semperoper Dresden, Colline La boheme and Bartolo Le Nozze di Figaro Bolshoi Theatre, Archbishop The Maid of Orleans St. Gallen Festival under Maestro D Jurowski, debuts at the Seville Teatro de la Maestranza, Palacio de las Artes Reina Sofía and multiple returns to Teatro Real Madrid and Opernhaus Zürich.
Debut with Teatro Real Madrid as Vodnik Rusalka, Ghost of Virgil Francesca da Rimini with Berliner Philharmoniker and Baden-Baden Festspiele with Maestro Petrenko,* Pimen Boris Godunov Bayerische Staatsoper München, Basilio Il Barbiere di Siviglia Staatsoper Hamburg, Raimondo Lucia di Lammermoor at Théâtre du Capitole Toulouse, Rodolfo La Sonnambula at Theater am Gärtnerplatz München, Padre Guardiano La forza del destino at Ópera Nacional de Chile, Arkel Pelléas and Mélisande in Oviedo Opera, Opernhaus Zürich Capellio I Capuleti e i Montecchi.* Canceled
Dutch national opera || Dvořák - Rusalka - Vodník
Dutch national opera || Dvořák - Rusalka - Vodník
Boris Godunov
Pimen's Aria
Boris Godunov
Pimen's Aria
Lucia di Lammermoor
Raimondo's Aria
Lucia di Lammermoor
Raimondo's Aria
el bajo ruso Maxim Kuzmin-Karavaev y fue ahora el Padre Guardiano, encarnado con una voz atractiva y toda la grave solemnidad vocal y de presencia que requiere el personaje.