He has a large voice with a low range, with which he certainly has the potential to become a Wagner singer in the future.
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Elena Schwarz, Conductor
Simon Stone, Stage Director
Elena Schwarz, Conductor
Simon Stone, Stage Director
Elena Schwarz, Conductor
Simon Stone, Stage Director
John Adams, Conductor
Otto Tausk, Conductor
John Fulljames, Stage Director
Priest Saariaho's Innocence, Sprecher Die Zauberflöte, Don Fernando Fidelio, Mr. Pilkinson Animal Farm, Achilla Giulio Cesare, Zuniga Carmen at Dutch National Opera, Don Fernando Leonore/Fidelio at Nederlandse Reisoper and with Hong Kong Philharmonic Orchestra*, Stárek Jenufa and Cirillo Fedora, The First Officer Adam's The Death of Klinghoffer at Amsterdam Concertgebouw; Dvorak's Stabat Mater with Nederlandse Händelvereniging, Lord Rochefort Anna Bolena, First soldier Salome, Masetto Don Giovanni, Brander La Damnation de Faust*, Gamekeeper Rusalka*, Jacob Epstein Ritratto by Willem Jeths, Le Berger Pelléas et Mélisande all for Amsterdam Dutch National Opera; Priester and Geharnischter Die Zauberflöte for Opera Zuid, Alcindoro La Bohème and concert series for De Nederlandse Reisopera, Pirro and Acciano I Lombari at De Doelen, Rotterdam. [* - cancelled]Nederlandse Händelvereniging
Hermann Les Contes d'Hoffmann and Abraham Clemency for Dutch National Opera, Beethoven’s Symphony No.9, Bach’s John Passion, Requiem by Mozart, Bruckner’s Requiem and Te Deum in concert series; stipendiate of Wagnerfestival - Bayreuther Festspiele.
Dutch National Opera Amsterdam || Haendel: Giulio Cesare - Achilla "Dal fulgor di questa spada"
Dutch National Opera Amsterdam || Haendel: Giulio Cesare - Achilla "Dal fulgor di questa spada"
Rinaldo - Sibilar gli angui d'Aletto
Rinaldo - Sibilar gli angui d'Aletto
Zaterdag Matinee - Giordano - Fedora
Zaterdag Matinee - Giordano - Fedora
He has a large voice with a low range, with which he certainly has the potential to become a Wagner singer in the future.
Frederik Bergman kan zich helemaal uitleven in de dubbelrol en mag als koning van Operanië ook laten horen hoe goed hij is als operazanger in twee fragmenten uit Faust van Gonoud.
Frederik Bergman’s dark baritone was superbly resonant in Abraham’s plea.
Frederik Bergman weet zowel hen als ons te overtuigen met zijn diepe bas-bariton en indringende interpretatie.
Resonant bass-baritone Frederik Bergman hijacked the public’s attention with the first, full-bodied notes of Abraham’s Chant, and the rest of the performance followed suit.
