Aigul Khismatullina

Biography Highlights

Debuts as the Queen of the Night Die Zauberflöte at Royal Opera House London, returns as The Queen of the Night to the stage of Deutsche Oper Berlin, Gilda Rigoletto at Gran Teatre del Liceu and at Opera Santiago de Chile, title role Lakme in concert version with Berlin Philharmonic and Deutsche Oper Berlin, debuts with the title role Lucia di Lammermoor at The Israeli Opera, Lakme at Madrid Teatro Real and Mariinsky Theatre in St.Petersburg, Melisande in Pelleas and Melisande, Lucia in Lucia di Lammermoor, the leading part in the Snow Maiden, Zerbinetta in Ariadne auf Naxos. The future engagement at the stage of Deutsche Oper Berlin.

Gilda Rigoletto at Deutsche Oper Berlin. As an ensemble member of Mariinsky Theatre, Saint Petersburg sings Lakme, Melisande Pelleas and Melisande, Lucia Lucia di Lammermoor,  leading part The Snow Maiden, Zerbinetta Ariadne auf Naxos among others.
 

Reviews & Press

Delibes - Lakmé - Lakmé

Phänomenal war die Lakmé der tatarischen Sängerin Aigul Khismatullina, die souverän alle Tücken der Glöckchenarie meisterte, deren Extremhöhe nie angestrengt oder scharf klang und die sich auch nicht durch den vorzeitigen Applaus mitten in ihre Arie hinein irritieren ließ. Facetten- und nuancenreich gestaltete der Sopran die schwierige Partie, die sie nie als farblose Produzentin von Koloraturen erscheinen ließ, sondern der sie viel bezaubernde Persönlichkeit verlieh.

 

- Ingrid Wanja , OPERNFREUND-

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Die Titelpartie singt Aigul Khismatullina in einer Weise, die von Beginn an zu Herzen geht. Innig strömt ihr lichter Sopran bis in höchste Höhen, die Koloraturen kommen gestochen scharf. 

 

- Karin Coper , Klassik.com

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Riesenjubel erntet Aigul Khismatullina für ihre „Glöckchen-Arie“, wobei die leuchtenden, samtigen Kantilenen der Sängerin aus Tartastan noch mehr bezaubern als die makellosen Koloraturen.

 

- Frederik Hanssen , Tagesspiegel

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Mozart, W. A. - Die Zauberflöte - Queen of the Night

In the final applause on opening night, the loudest cheers went to the Russian Aigul Khismatullina as Queen of the Night. Her show-stopping second aria was indeed a marvel of precision and high polish.

 

- Sebastian Scotney , The Arts Desk

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Aigul Khismatullina made a fiery, incisive Queen of the Night, creating a strong presence despite being relatively slight. Her voice had something of an edge to it and perhaps the very top was somewhat steely, but in context, this worked well and her explosions onto the stage were all wonderfully memorable.

 

- Robert Hugill , Opera Today

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it was perhaps Aigul Khismatullina’s Queen of the Night (one of three queens for this run) that was the true star. This role is not all about the high notes (although they were perfectly placed); every emotion was brilliantly conveyed, as was the queen’s power.

 

- Colin Clarke , Seen and Heard International

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Stage Highlights

At a glance: Aigul Khismatullina: news & press

2022-12-13

Holiday Magic Flutes in New York, Berlin, and London 

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