Tenor
Paride Cataldo
Represented by
Representation
Represented by
Representation
Alessandro D’Agostini, Conductor
Matteo Marziano Graziano, Stage Director
Alessandro D’Agostini, Conductor
Matteo Marziano Graziano, Stage Director
Vitali Alekseenok, Conductor
Andreas Homoki, Stage Director
Alessandro D’Agostini, Conductor
Matteo Marziano Graziano, Stage Director
Alessandro D’Agostini, Conductor
Matteo Marziano Graziano, Stage Director
Alessandro D’Agostini, Conductor
Matteo Marziano Graziano, Stage Director
Alfredo Germont La traviata at Deutsche Oper am Rhein, and as Duca di Mantova Rigoletto at Teatro Fraschini di Pavia, Teatro Sociale di Como, Teatro Donizetti, and Polish National Opera, debut as Werther with Irish National Opera, Don Carlo at Teatro Ponchielli di Cremona and Teatro Fraschini di Pavia, Alfredo Germont La traviata with Orquesta Clasica Santa Cecilia, Icilio Nostalgia at La Monnaie de Bruxelles, Teatro alla Scala debut as Un Servo di Amelia Un ballo in maschera, Rodolfo La bohème at Festival Internazionale delle Arti, Gabriele D’Annunzio in the world premiere of Willem Jeths’ Ritratto with Dutch National Opera, Ramírez’ Misa Criolla at Teatro Carlo Felice di Genova, Alfredo La Traviata at Teatro Politeama Greco di Lecce and on tour with Teatro Regio di Parma, Il Duca di Mantova Rigoletto at Teatro Petruzzelli di Bari.
Verdi Prize Winner – Tenor Viñas International Singing Competition 2022
Second Prize Winner – Concorso Internazionale Lirico Ottavio Ziino 2021
First Prize Winner – L’Assoluta Virginia Zeani Competition 2018
Dutch National Opera || Ritratto - Aria D’Annunzios
Dutch National Opera || Ritratto - Aria D’Annunzios
Irish National Opera || Werther - Il faut nous séparer
Irish National Opera || Werther - Il faut nous séparer
Italian tenor, Paride Cataldo, did a brilliant job portraying the love-struck Werther. He has an outstanding voice and brought an easy flowing lyricism to the early scenes. He was able to surge and soar effortlessly to the top of the vocal register and his top notes packed a powerful emotional punch. His rendition of ‘Lorsque l’enfant revient d’un voyage’ was touching and eloquent in equal measure while ‘Pourquoi me réveiller’ burned with ardent passion.
The young Italian tenor, Paride Cataldo, who was cast in the title role, immediately caught the attention with his distinctive, rich, lyrical singing. He possesses a voice that positively oozes passion, and his ability to spin out long, inviting lines and push the voice upwards with strength and ease is captivating. Unsurprisingly, he made an ardent, fervent Werther; his voice alone ensured this much. Each aria was beautifully delivered and the scenes with O’Sullivan, particularly in the final act, were spellbinding; the two voices combined exquisitely, both were expressively strong, both infused their lines with passion and energy, and both created the necessary tension to bring the scene fully alive. Although, only at the start of his career, he has already made his debut at La Scala, albeit in a small role, but be assured you will be hearing more of Cataldo in the future.
Italian tenor Paride Cataldo shine with a sensitive aria in his mother tongue
Dit terwijl tenor Paride Cataldo, vol zingend met heerlijke open klinkers, de aanzwellende strijkers goed aankan.
Een topmoment in deze voorstelling dankzij de geweldige tenor Paride Cataldo. Hij vulde het theater glansrijk met zijn groots geluid.