ARTIST OVERVIEW - ARTIST PROFILE

Artist Profile

Diana Lamar - Profile picture
© Paff Creative LTD

Soprano

Diana Lamar

“a true dramatic soprano — a rare voice these days — with a rich, velvety timbre that captivates the audience. Her voice is dark, full, and expansive, able to soar in the high register without losing the depth and warmth of the lower range.”
- Eugenio Poli. OperaMundus

Represented by

Katarzyna Cato
katarzyna@tact4art.com
+48 506 517 525

Alex Grigorev
alex@tact4art.com
+31 647 900 647

Representation

Worldwide, co-representation with Melodramma - Giandomenico Bisi & C. in Italy


Now on - Diana Lamar - Back to Overview   BACK TO ARTISTS OVERVIEW
Upcoming Past
Jul 2026
9.
20:00

20:00

Verdi, G. - Aida - Aida
Schlossbergbühne Kasematten

Giorgio Croci, Conductor

Jan 2027
24.
20:00

20:00

Verdi, G. - Aida - Aida
Opera Baltycka

Jan 2027
30.
20:00

20:00

Verdi, G. - Aida - Aida
Opera Baltycka

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May 2024
24.
20:00

20:00

Puccini, G. - Tosca - Floria Tosca
Pomeranian Philharmonic

José Maria Florencio, Conductor

Feb 2027
12.
20:00

20:00

Giordano, U. - Andrea Chenier - Maddalena de Coigny
Opera Baltycka

Nov 2025
29.
20:00

20:00

Puccini, G. - Tosca - Floria Tosca
Teatro Comunale di Modena

Stefano Ranzani, Conductor
Luca Orsini, Stage Director

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Biography Highlights

 
 

Upcoming & Recent

Elektra (R. Strauss) at Teatro Verdi Trieste, Palacio de Bellas Artes and at the Teatro Juárez within the Festival Internacional Cervantino and at the Daegu Opera House, Tosca at the Teatro Comunale Pavarotti-Freni. Madama Butterfly at Pomeranian Philharmonic and Wroclaw Opera. Upcoming performances include Aida in Graz, Lady Macbeth of Mtsensk in Stuttgart, followed by Norma in Mexico, Aida, Andrea Chenier (Maddalena), Madama Butterfly, and two new productions of Tosca in Poland.

 
 

Past

Senta Der fliegende Holländer at the National Centre for the Performing Arts Beijing, the title role in Medea and Lisa The Queen of Spades at the Sofia Opera and Ballet, Tosca at the Teatro Municipal de Lima, Pomeranian Philharmonic in Bydgoszcz, Theater Trier, Wroclaw Opera, Teatro di Vittorio Emanuele Messina as well as in The Seven Deaths of Maria Callas at Deutsche Oper Berlin and concert appearances at the Paléo Festival among others.

 
 

Portraits

Diana Lamar, Soprano
© atanaschervenkov
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
© Paff Creative LTD
Diana Lamar - Picture nr #9
©
Diana Lamar - Picture nr #9
©
Diana Lamar - Picture nr #9
©
Diana Lamar - Picture nr #9
©
Diana Lamar - Picture nr #9
©

Palacio de Bellas Artes - Strauss - Elektra

Palacio de Bellas Artes - Strauss - Elektra

Cherubini - Medea

Cherubini - Medea

 

Reviews & Press

 
 

Tosca- Theater Trier

In der Titelrolle der Floria Tosca gab Diana Lamar ihr Rollendebüt und ihren Einstand am Theater Trier nicht nur mit nuancenreichen Klangfarben und einfühlsamer Phrasierung, sondern auch mit einem kräftigen Schuss Schauspielkunst – von mädchenhaft-verliebt und tändelnd bis eifersüchtig-zänkisch im ersten Akt, zwischen flehentlich-verzweifelnd und rächender Furie schwankend im zweiten Akt, neue Hoffnung schöpfend und schließlich schockiert und abrupt mit dem Leben abschließend im dritten Akt. Ergreifend ihr „Vissi d’arte“ im zweiten Akt, der fassungslose Hilfeschrei der frommen Seele, die sich im Angesicht des Zynismus der Macht von Gott verlassen glaubt.
 

- Alexander Scheidweiler , localo.de

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Tosca- Theater Trier

Man denke nur an Diana Lamars lupenreines „Vissi d‘arte“ – macht die Oper zu einem Stück, das man gesehen haben muss. (...) Toscas Eifersucht, als sie eine andere Frau in dem Gemälde Cavaradossis entdeckt, zeigt sich in jeder Nuance von Lamars grandioser Stimme und in jedem Muskel ihres Gesichts, das dann aber doch hoffnungsvoll und träumerisch wird, als sie von der Liebe zu dem jungen Maler schwärmt.
 

- Veronika Königer , Volks Freund

Elektra- Daegu Opera House

Explosive singing shined Soprano Diana Lamar, who played Elektra, portrayed a character that remains on stage from beginning to end and managed to maintain powerful and clear high notes with intelligent control of dynamics. Her exceptional acting skill allowed her to embody Elektra at every moment, shifting between anger, sorrow, mockery, and sarcasm
 

- Taehyung Song, Senior Reporter of Culture Department , HankYung

Medea – Sofia Opera and Ballet

Diana Lamar literally took the breath away of those present in the hall with her magnificent transformation into a charismatic and charming woman, an insulted and humiliated wife and an evil and vengeful sorceress at the same time. Diana Lamar – Medea I fell in love with. Extremely intelligent singer, fine musician, bright artist. Beautiful and delicate, without violent impulses and excessive emotions, Diana interpreted her Medea above all as a magnificent vocal image. The recitatives, the arias, the duets with Jason and Neris were impressive, and the final scene – unforgettable.
 

- Tsvetana Toncheva , BNR

Tosca – Modena

Lamar is a true dramatic soprano — now a rare commodity — with one of those rich, polished voices and a velvet timbre that intoxicates the audience. Lamar’s Tosca is a strong, ambitious, stubborn woman, and above all entirely believable in the role. The Bulgarian-Swiss soprano displays an interesting, unique timbre and a dark, full voice that ascends to the high register with ease while preserving the suppleness of the lower range. It seemed to us that Lamar is very aware of Magda Olivero’s interpretation of Tosca, which surfaced here and there, and we particularly appreciate this, because in our view Tosca must be exactly like that: with sobs, cries and heartfelt declamation to give the necessary emotional authenticity.
Sublime was Vissi d’arte, in which extraordinary nuances emerge in Lamar’s interpretation: the soprano dwells several times on perché and così, separating the syllables; in her appeal to God she creates a most musical caesura between remuneri and così in the final phrase, perfectly conveying the woman’s soul and psyche. Lastly, excellent is her choice to declaim agli astri, al ciel, che ne ridean più belli — a clear sign of maturity and a deeply considered interpretation of the role.
 

- Eugenio Poli , OperaMundus

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Stage Highlights

At a glance: Diana Lamar: news & press
2026-03-05

Diana Lamar joins TACT
 

Links

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