Tenor
Tansel Akzeybek
Represented by
Representation
Represented by
Representation
Antonino Fogliani, Conductor
Carlus Padrissa - La Fura dels Baus, Stage Director
Antonino Fogliani, Conductor
Carlus Padrissa - La Fura dels Baus, Stage Director
Antonino Fogliani, Conductor
Carlus Padrissa - La Fura dels Baus, Stage Director
Antonino Fogliani, Conductor
Carlus Padrissa - La Fura dels Baus, Stage Director
Antonino Fogliani, Conductor
Carlus Padrissa - La Fura dels Baus, Stage Director
Oksana Lyniv, Conductor
Kornél Mundruczó, Stage Director
Steuermann Der fliegende Holländer, Andres Wozzeck, Misail Boris Godunov, Chaplitsky Pique Dame, Iaryzhkin The Nose, Spoletta Tosca, Third SS-Man The Passenger, Basilio Le nozze di Figaro at Bayerische Staatsoper, Orphée aux enfers, La belle Hélène at Komische Oper Berlin, Bucklige Frau ohne Schatten at Semperoper Dresden.
Narraboth Salome for Opéra national de Paris, Tamino Die Zauberflöte, Orphée Orphée aux Enfers, Ferrando Così fan tutte, Steuermann Der fliegende Holländer, Pylades Iphigenie auf Tauris, Prince Lilo-Taro Die Blume von Hawaii, Count Almaviva Il barbiere di Siviglia, Tony West Side Story and Tom Rakewell The Rake's Progress for Komische Oper Berlin, Orphée Orphée aux enfers Deutsche Oper am Rhein, Andres Wozzeck for Opéra national de Paris, Palau de les Arts Reina Sofía Valencia, Bayerische Staatsoper, Hirt/Seemann Tristan und Isolde, Nobleman of Brabant Lohengrin and Kunz Vogelgesang Die Meistersinger von Nürnberg at the Bayreuth Festival.
Conte Almaviva Il barbiere di Siviglia at Opera Graz, Andres Wozzeck at the Grand Théâtre de Genève, Froh Das Rheingold at Tokyo Bunka Kaikan Hall, Semperoper Dresden and Seoul, Steuermann Der fliegende Holländer for Semperoper Dresden, Beppe Pagliacci at La Monnaie Brussels, Tamino Die Zauberflöte at the Opéra Comique Paris and Komische Oper Berlin.
As for the cast, they are simply perfect, always right, always in the right place, with voices reminiscent of the greatest ... the clear, rich tenor of Tansel Akzeybek
Another pleasant surprise was the young tenor Tansel Akzeibek, who performed the short role of the Steuermann with inspiration and beautiful intonation.
When Tansel Akzeybek’s Steersman sang his song, eliciting derisory laughter, the number of different tones and expressions used, without sacrifice to the whole, transformed it into a mini-cantata or indeed an encapsulation or anticipation, of the whole drama.