© Neil Gillespie
Conductor
Renato Balsadonna
Represented by
Adrian Lavía
adrian@tact4art.com
+34 606185128
Alex Grigorev
alex@tact4art.com
+31 647 900 647
Olga Izak
olga@tact4art.com
Representation
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Biography Highlights
Recent & Upcoming
Anna Bolena at the Gran Teatro La Fenice, Thaïs at Teatro Nacional de São Carlos in Lisbon, Don Pasquale at the New National Theatre Tokyo, Rigoletto at the Royal Opera House, Lucia di Lammermoor at the Cincinnati Opera, Symphony Concert in Tiroler Festspiele Erl.
Previous
Madama Butterfly, La Bohéme, Nabucco, La Traviata at the Royal Opera House,Madama Butterfly at the Teatro La Fenice, La Sonnambula at the Teatro Regio, La Traviata and Il Barbiere di Siviglia at the Cincinnati Opera, Lucia di Lammermoor at the Teatro de la Maestranza, Norma at Ópera de Oviedo, Lucia di Lammermoor at the Opéra de Wallonie, Don Carlo and Lucia di Lammermoor at Frankfurt Opera and Nabucco and Lucrezia Borgia at Mariinsky Theatre. The recording of his debut album with DECCA, Passione with the celebrated tenor Freddie De Tommaso and London Philharmonic Orchestra. A CD of the Brahms' Piano Concertos conducting the Lithuania National Symphonic Orchestra
Portraits
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
Guillaume Tell Overture
Guillaume Tell Overture
Discography
Reviews & Press
Royal Opera House - Verdi - Rigoletto - Conductor
....Verdi's Rigoletto in the production of the Royal Opera House in London, Renato Balsadonna conducted a surprisingly vivid and full bodied performance with drive and dynamics that made a memorable night. Fantastic!"
Das OpernGlas
Opera North - Puccini - La Bohème - Conductor
...the orchestra under the direction of conductor Renato Balsadonna was superb and proved that one could understand the story by listening to the music alone.
- Amanda Hodgson , North West End UK
Read this article
...with powerful guidance from conductor Renato Balsadonna, whose direction was never less than idiomatic and drew beautiful playing from the orchestra, they managed to persuade me this time that the breaking-up-is-hard-to-do emotions of act three are really the most glorious part of the entire opera.
