© Neil Gillespie
Conductor
Renato Balsadonna
Represented by
Adrian Lavía
adrian@tact4art.com
+34 606185128
Alex Grigorev
alex@tact4art.com
+31 647 900 647
Lidia Chertova
lidia@tact4art.com
Representation
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
BACK TO ARTISTS OVERVIEW
SHOW MORE
Biography Highlights
Recent & Upcoming
Anna Bolena at Teatro La Fenice di Venezia, Thaïs at Teatro Nacional de São Carlos, Rigoletto, Madama Butterfly, La bohéme, Nabucco and La traviata at The Royal Opera House, Don Pasquale at the New National Theatre Tokyo, La traviata, Il barbiere di Siviglia and Lucia di Lammermoor at the Cincinnati Opera, Nabucco and Lucrezia Borgia at Mariinsky Theatre St. Petersburg, Madama Butterfly at Teatro La Fenice di Venezia, Don Carlo and Lucia di Lammermoor at Oper Frankfurt, Tosca and Norma at Opéra Nice, La Sonnambula at Teatro Regio di Torino, Lucia di Lammermoor at Opéra Royal de Wallonie and at Teatro de la Maestranza and Norma at Ópera de Oviedo.
The recording of his album with DECCA, PASSIONE with the tenor Freddie De Tommaso and the London Philharmonic Orchestra was released recently as well as other recordings for EMI, Deutsche Grammophon, Warner Classics, Sony Classical, Opera Rara and Chandos.
Portraits
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
© Neil Gillespie
Guillaume Tell Overture
Guillaume Tell Overture
Discography
Reviews & Press
Royal Opera House - Verdi - Rigoletto - Conductor
....Verdi's Rigoletto in the production of the Royal Opera House in London, Renato Balsadonna conducted a surprisingly vivid and full bodied performance with drive and dynamics that made a memorable night. Fantastic!"
Das OpernGlas
Opera North - Puccini - La Bohème - Conductor
...the orchestra under the direction of conductor Renato Balsadonna was superb and proved that one could understand the story by listening to the music alone.
- Amanda Hodgson , North West End UK
Read this article
...with powerful guidance from conductor Renato Balsadonna, whose direction was never less than idiomatic and drew beautiful playing from the orchestra, they managed to persuade me this time that the breaking-up-is-hard-to-do emotions of act three are really the most glorious part of the entire opera.
