![Olga Syniakova's - Profile picture on tact4art Olga Syniakova - Profile picture](https://managemyartists.com/files/profiles/3/images/13712/website/0d2f938.jpg)
Mezzo Soprano
Olga Syniakova
"...voice of amber, gentle and rich"
- Damien Dutilleul, olryx.com
Represented by
"...voice of amber, gentle and rich"
- Damien Dutilleul, olryx.com
Represented by
Paolo Carignani, Conductor
Anne Delbée, Stage Director
Paolo Carignani, Conductor
Anne Delbée, Stage Director
Paolo Carignani, Conductor
Anne Delbée, Stage Director
Lorenzo Coladonato, Conductor
Daniele Piscopo, Stage Director
Lorenzo Coladonato, Conductor
Daniele Piscopo, Stage Director
Lorenzo Coladonato, Conductor
Daniele Piscopo, Stage Director
Debuts at the Teatro Real Madrid as Zofia in Moniuszko's Halka and at Opéra National de Lyon as Polina Pique Dame, returns to Opera de las Palmas as Fidalma Il matrimonio segreto.
Gluck/Berlioz' Orphee at the Zurich Opera, Varvara Kat'a Kabanova at the Royal Danish Opera Copenhagen, Polina Pique Dame La Scala Milan, Cherubino Le Nozze di Figaro in her Seattle Opera debut, Fenena Nabucco at the Opera Oviedo, Giuletta Les contes d'Hoffmann at the Opera de Las Palmas. Alisa Lucia di Lammermoor, Contessa di Ceprano Rigoletto, Anfinomo Il Ritorno dÙlisse in Patria, Laura in Tchaikovsky’s Iolanta, Ernesto Il Monde de la Luna, Second Lady Die Zauberflöte at the Palau de les Arts Valencia. Lola Cavalleria Rusticana, Cherubino Le Nozze di Figaro, Bizet’s Carmen as a former soloist of the Dnipro Opera and Ballet Theater.
Mezzo soloist in Verdi's Requiem under M. Poschner with the Brucknerhaus Orchestra; Orlofsky Die Fledermaus at the Palau de les Arts Valencia under P. Domingo, a mezzo soloist in Pergolesi’s Stabat Mater, Mezzo soloist in Rossini’s Petite messe solennelle at the Musikfest Bremen; Teatro Real Madrid solo program “Rossini y España” under the baton of Lucía Marín; Orphèe in Gluck’s Orphèe eu Euridice with Filharmonia de Galicia under P. Daniel.
Grand Prix and Audience Choice Prize VIII Concurso Internacional de Canto Alfredo Kraus; 58 Concurso de Canto Tenor Viñas 2021: 2nd Prize, Premio Extraordinario Teatro Real de Madrid, Premio Extraordinario, ofrecido por el Festival Castell de Peralada; 27th International Opera Competition of Clermont-Ferrand Winner, II Concurso de Canto " Compostela Lírica” 2019: 1st Prize II Concurso Nacional de Canto "Ciudad de Albacete” 2019: 2nd Prize International Competition of Belcanto Vincenzo Bellini 2019: The best voice of competition, Choice of Jury, Choice of public. Concurso Internacional Lírico Alicante 2019: Special prize of Opéra de Massy; 52ème Concours International de Chant, Toulouse 2019.
Orphée et Eurydice
Gluck (Berlioz) - Orphée et Eurydice
Orphée et Eurydice
Gluck (Berlioz) - Orphée et Eurydice
Olga Syniakova incarne Pauline de sa voix de mezzo-alto sombre, large, longue et superbement projetée. Elle dégage une sorte de perpétuelle joie qui contraste avec Lisa mais elle incarne aussi avec efficacité Milavzor, l’amant de la bergère dans l’intermède. La voix y déploie alors son velouté intimiste et le souhait pour le public de suivre cette artiste.
Polina, Milovzor, as well as the Governess, were sung by the wonderful mezzo Olga Syniakova. Olga has a very beautiful mezzo-soprano voice, she is a wonderful actress and is memorable in all her scenes. By the way, I can’t help but note how wonderfully the voices merge in the duet of Lisa and Polina, with what subtle nuances they decorated it, making it one of the most exquisite moments in the performance.
Olga Syniakova who sings Daphnis in the pastoral but especially Polina has a very beautiful mezzo voice, very homogeneous, with a velvety timbre, with varied colors and which very effectively asserts the character.
"Excellent performance by Olga Syniakova, who in addition to the part of Milovzor [...] replaced the indisposed [Polina] at the last moment."
“The mezzo-soprano Olga Syniakova comes from Ukraine. Very serious, pale and sad, she sings her way into the hearts. Determined, with secure high notes and a shatteringly beautiful piano, she masters all registers. Sobbing, she succeeds in the Lacrimosa, as if she wanted to call for peace. At the end, understandable tears.”
Teresa, the owner of the mill, [...] is entrusted to Olga Syniakova, a beautiful mezzo with a full, round voice. Her recitals, her "Piano amici", where she defends her ward, as well as her participation in the ensembles, call for nothing but praise.
Syniakova as the amorous teenage boy Cherubino, provides one of the most convincing “trouser roles” [...] I’ve ever seen.
Olga Syniakova offered a Giulietta full of dramatic subtleties: conniving and confident, vocally she showed robustness and density in a strong central register and a singing full of nuances
Olga Syniakova [...], a versatile mezzo-soprano with a perfectly developed center, dramatic facility and enough temperament to underpin complex characters, such as her Romeo in Bellini ("Se Romeo t'uccise un fi glio").