"Johannes Weisser is in himself a musical highlight. His distinctive, powerful baritone resonates in the auditorium and adds a special weight to the musical expression.” Hilde Halvorsrød, Scenekunst
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Anja Bihlmaier / Constatin Trinks, Conductor
Rodula Gaitanou, Stage Director
Anja Bihlmaier / Constatin Trinks, Conductor
Rodula Gaitanou, Stage Director
Anja Bihlmaier / Constatin Trinks, Conductor
Rodula Gaitanou, Stage Director
Anja Bihlmaier / Constatin Trinks, Conductor
Rodula Gaitanou, Stage Director
Aapo Häkkinen, Conductor
Dillon in the world premiere of Mazzoli’s The Listeners at the Norwegian National Opera, Mauregato in Schubert's Alfonso and Estrella with Helsinki Baroque Orchestra in Helsinki and Budapest, Der Einäugige Die Frau Ohne Schatten in Festspielhaus Baden-Baden with the Berliner Philharmoniker and Kirill Petrenko, Siegfried Genoveva in Düsseldorf, Helsinki and Dresden, returns in concerts with the Belgian National Orchestra, the Kristiansand Sinfoniorkester, and the Netherlands Radio Philharmonic Orchestra.
Johannes Brahms' Four Serious Songs in Stavanger, Caldara’s oratorio Maddalena ai piedi di Christo with René Jacobs in Madrid, Berlin, Freiburg and Paris, Missa Solemnis during the Menuhin Festival, the title role Gianni Schicchi in Oslo, Don Pizarro Fidelio with the Freiburg Baroque Orchestra, Mahler’s Rückert Lieder at the Bergen International Festival, Bach's and Handel's Messiah with the Belgian National Orchestra in Bozar in Brussels.
A regular guest with the Copenhagen Philharmonic, the Stavanger Symphony Orchestra, and the Freiburg Baroque Orchestra; invited to the Salzburg Festival, the Berlin State Opera, the Teatro Real Madrid, the Théâtre de La Monnaie in Brussels, the Théatre des Champs-Elysées, the Canadian Opera Company, the Festspielhaus Baden-Baden, the Theater an der Wien, the Komische Oper Berlin, the Norwegian National Opera, the Royal Danish Opera, the Edinburgh International Festival, Opera Bilbao, the Opera National du Rhin, the Megaron Athens, and the Enescu Festival, among others.
Johannes Weisser propose une interprétation vocale du Roi, dont la pulsion dramatique dans les récitatifs et les outrages latents (mais habilement intégrés) dans ses coloratures exigeantes s'unissent avec un ton doux et sincère que le baryton norvégien maîtrise sur toute la tessiture.
Weisser was a tremendous Giovanni, commanding the stage throughout, both vocally and dramatically. There’s a youthfulness to the tone that I find absolutely engaging and ideal for the part. He brought out a handsome seductiveness in the serenade (...) with an impeccable legato and ornamentation that enhanced the line. The champagne aria was dispatched with extrovert ease without compromising on the beauty of the tone. So much of Giovanni’s character is created in the recitatives and here Weisser really used the text fully to illustrate the character, thereby giving him the impact to carry the show.
Johannes Weisser is in itself a musical highlight. ... His distinctive powerful baritone hovers in the stage room and adds a special weight to the musical expression.
