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Hovhannes Ayvazyan - Profile picture
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Tenor

Hovhannes Ayvazyan

…tremendous vocal and dramatic power

Represented by

Sofia Rukin
sofia@tact4art.com
+79 213655889

Zarina Khazrat
zarina@tact4art.com

Representation

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Upcoming Past
Jun 2025
7.
19:00

19:00

Jacek Kaspszyk, Conductor
Ran Arthur Braun, Stage Director

Jun 2025
10.
19:00

19:00

Jacek Kaspszyk, Conductor
Ran Arthur Braun, Stage Director

Jun 2025
14.
19:00

19:00

Jacek Kaspszyk, Conductor
Ran Arthur Braun, Stage Director

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Show more of Hovhanness calendar items
Jun 2025
7.
19:00

19:00

Jacek Kaspszyk, Conductor
Ran Arthur Braun, Stage Director

Biography Highlights

 
 

Upcoming & Recent

Cavaradossi Tosca with Teatr Wielki Warsaw, Andrea Chenier at Gwangju Culture and Art Center, Manrico Il Trovatore with Daegu International Opera, Don Jose Carmen at Armenian National Opera, Teatr Wielki Warsaw, Bolshoi Theatre Moscow, Mariinsky Theatre, Calaf in a new production of Turandot at Poznan Opera (stage director Ran Arthur Braun), Riccardo Un Ballo in maschera and Rodolfo Luisa Miller at the Bolshoi Theatre, Otello at Poznan Opera, Hungarian State Opera, Wiesbaden and at Armenian National Opera, Pinkerton Madama Butterfly at Armenian National Opera, Radames Aida at the Dubai Opera, Arena di Verona, Oper im Steinbruch, Teatr Wielki Warsaw, Royal Danish Opera and Mariinsky Theatre, Manrico at Müpa Budapest, to name a few.

 
 

Portraits

Hovhannes Ayvazyan, Tenor
©

Hovhannes Ayvazyan as Calaf - Turandot

Hovhannes Ayvazyan as Calaf - Turandot

Hovhannes Ayvazyan as Otello

Hovhannes Ayvazyan as Otello

Hovhannes Ayvazyan as Don Jose

Hovhannes Ayvazyan as Don Jose

 

Reviews & Press

 
 

Hungarian State Opera - Otello - Otello

… it is one of the greatest tests of the role and of tenor literature. He won the part with tremendous vocal and dramatic power, almost making the audience fear how he would manage to carry it off so volcanically - but he did. Alongside this, he showed not only Otello's emotions, but also his inner torment, with a sincere, heartfelt performance. ... Béla Abody once wrote of Mario Del Monaco’s Otello: a great temperament, but not a great soul. Ayvaziyan's Otello is both a great temperament and a great soul. In him, the Opera House has found a great treasure
 
 

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At a glance: Hovhannes Ayvazyan: news & press