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Tenor
Hovhannes Ayvazyan
…tremendous vocal and dramatic power
Represented by
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Upcoming Past
Aug 2025
29.
19:30
19:30
Marcello Mottadelli, Conductor
Kim Jiyoung, Stage Director
Aug 2025
30.
15:00
15:00
Marcello Mottadelli, Conductor
Kim Jiyoung, Stage Director
Jul 2025
16.
19:00
19:00
Valery Gergiev, Conductor
Mikhail Smirnov, Stage Director
Jul 2025
14.
19:00
19:00
Christian Knapp, Conductor
Isabelle Partiot-Pieri, Stage Director
Jul 2025
8.
19:00
19:00
Valery Gergiev, Conductor
Isabelle Partiot-Pieri, Stage Director
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Biography Highlights
Upcoming & Recent
Cavaradossi Tosca with Teatr Wielki Warsaw, Andrea Chenier at Gwangju Culture and Art Center, Manrico Il Trovatore with Daegu International Opera, Don Jose Carmen at Armenian National Opera, Teatr Wielki Warsaw, Bolshoi Theatre Moscow, Mariinsky Theatre, Calaf in a new production of Turandot at Poznan Opera (stage director Ran Arthur Braun), Riccardo Un Ballo in maschera and Rodolfo Luisa Miller at the Bolshoi Theatre, Otello at Poznan Opera, Hungarian State Opera, Wiesbaden and at Armenian National Opera, Pinkerton Madama Butterfly at Armenian National Opera, Radames Aida at the Dubai Opera, Arena di Verona, Oper im Steinbruch, Teatr Wielki Warsaw, Royal Danish Opera and Mariinsky Theatre, Manrico at Müpa Budapest, to name a few.
Portraits
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Hovhannes Ayvazyan as Calaf - Turandot
Hovhannes Ayvazyan as Calaf - Turandot
Hovhannes Ayvazyan as Otello
Hovhannes Ayvazyan as Otello
Hovhannes Ayvazyan as Don Jose
Hovhannes Ayvazyan as Don Jose
Reviews & Press
Hungarian State Opera - Otello - Otello
… it is one of the greatest tests of the role and of tenor literature. He won the part with tremendous vocal and dramatic power, almost making the audience fear how he would manage to carry it off so volcanically - but he did. Alongside this, he showed not only Otello's emotions, but also his inner torment, with a sincere, heartfelt performance. ... Béla Abody once wrote of Mario Del Monaco’s Otello: a great temperament, but not a great soul. Ayvaziyan's Otello is both a great temperament and a great soul. In him, the Opera House has found a great treasure
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Grand Theatre Poznan - Puccini, G. - Turandot - Calaf
Hovhannes Ayvazyan was a captivating Calaf. His dark and at the same time very resonant spinto tenor reminds me of the timbre of Mario del Monaco. He showed off his power and richness, as the part requires, but he often surprised with a juicy piano, as in the first phrases of the aria "Non piangere Liu" or an incredibly fluid diminuendo, as in the ending of his riddle for the princess: "Dimmi il mio nome prima dell'alba e all'alba moriro".
