
Tenor
Oliver Sewell
Represented by
Representation
Represented by
Representation
Sasha Yankevych / Yu Sugimoto, Conductor
Alize Zandwijk, Stage Director
Stefan Klingele, Conductor
Susanne Lietzow, Stage Director
Stefan Klingele, Conductor
Susanne Lietzow, Stage Director
Sasha Yankevych / Yu Sugimoto, Conductor
Alize Zandwijk, Stage Director
Stefan Klingele, Conductor
Ulrike Schwab, Stage Director
Stefan Klingele, Conductor
Susanne Lietzow, Stage Director
Rodolfo La bohème, Bénédict Bénédict et Béatrice, Narraboth Salome, Robert Wilson Dr. Atomic, title roles Orpheus aux enfers and La Clemenza di Tito at Theater Bremen. Don Octavio Don Giovanni, Alfredo La Traviata and Edgardo Lucia di Lammermoor at Wellington Opera. Jaquino Fidelio and Victorin Die Tote Stadt at Auckland Philharmonia Orchestra. Das Lied von der Erde with Orchestra Wellington.
Giannetto La gazza ladra with Will Crutchfield’s Teatro Nuovo in Lincoln Centre’s Rose Theatre, Handel’s Messiah with Columbus Symphony, Carmina Burana with New York Master Chorale at Alice Tully Hall, Mozart’s Mass in C Major at Carnegie Hall, Ernesto Don Pasquale at Crested Butte Music Festival and Ramiro La Cenerentola at City Lyric Opera in New York. Tamino Die Zauberflöte in Manhattan School of Music production and Fernand La Favorite at Academy of Vocal Arts in Philadelphia.
Winner of the Vincero Competition in Naples in 2022.
Verdi - Un giorno di regno
Garsington Opera
Verdi - Un giorno di regno
Garsington Opera
Mozart - La clemenza di Tito - "Ah, se fosse intorno"
Mozart - La clemenza di Tito - "Ah, se fosse intorno"
Oliver Sewell sang Rodolfo with a robust, elegant and thoroughly pleasant voice, most at ease with the louder material, while developing mezza voce for more nuanced use in the future
Oliver Sewell als Rodolfo überzeugte mit seinem sensiblen Spiel, wohlklingender Tenorstimme, schönem Legato und fokussierten Höhe.
Oliver Sewell als Rodolfo mit seinem weichen aber strahlenden Tenor absolut überzeugt
Oliver Sewell gibt dem Bénédict mit seinem hellen, etwas herben Tenor genau das richtige „französisch“-flexible Melos mit ins Bühnenleben
Oliver Sewell managed to keep his ringing tenor voice open despite the invitation of the French language to close in and turn narrow and nasal. In line with his character, he came across as sturdy and robust, adding a new note to his range of delivery.