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Baritone
Anton Beliaev
Represented by
Alex Grigorev
alex@tact4art.com
+31 647 900 647
Ivana Tanovitski
ivana@tact4art.com
+38 5917817833
Ekaterina Yazykova
ekaterina@tact4art.com
Representation
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
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Upcoming Past
Aug 2025
30.
19:00
19:00
Felix Krieger, Conductor
Josef E. Köpplinger, Stage Director
Sep 2025
5.
19:00
19:00
Felix Krieger, Conductor
Josef E. Köpplinger, Stage Director
Sep 2025
10.
19:00
19:00
Felix Krieger, Conductor
Josef E. Köpplinger, Stage Director
SHOW MORE
Aug 2025
3.
14:00
14:00
Stanislav Kochanovsky , Conductor
Tim Carroll , Stage Director
Jul 2025
6.
19:30
19:30
Alexander G. Adiarte, Conductor
Jun 2025
21.
14:00
14:00
Antonello Allemandi, Conductor
Christine Mielitz, Stage Director
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Biography Highlights
Upcoming & Recent:
Nardo La Finta Giardiniera at Theater an der Wien, the solo parts in the world premiere of the contemporary operas D/Faced and Haut at Deutsche Oper Berlin, the title role Eugene Onegin with the Verbier Festival and Ekaterinburg, debut as Enrico Lucia di Lammermoor in Basel Theatre, debut as Belcore L'elisir d'amore at Bregenzer Festival, debut as The Count Le Nozze di Figaro at Glyndebourne festival.
As well as Traveler B. Britten’s Curlew River, Marcello La Bohème, Ramiro M. Ravel’s L'heure Espagnole, and Miller Luisa Miller at Musikwerkstatt HfM Berlin. He is also part of a concert series with Deutsches Filmorchester Babelsberg in Konzerthaus Berlin.
At Semperoper Dresden - The Revolutionary in the world premiere of Ändere die Welt, Kilian Der Freischütz, Erster Priester Die Zauberflöte, Antonio Le nozze di Figaro, and Schaunard La Bohème, among others, as a member of the YAP.
Awards
2025 Yves Paternot Prize, awarded by the Verbier Festival.
Third Prize at the international opera competition CLIP in Portofino and the prize for Best Male Singer.
Portraits
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Mozart - Le nozze di Figaro - Conte Almaviva’s aria
Mozart - Le nozze di Figaro - Conte Almaviva’s aria
Verdi - Fastaff - Ford’s aria
Verdi - Fastaff - Ford’s aria
Reviews & Press
Tchaikovsky, P.I. - Eugene Onegin - Onegin
Starting with the Russian baritone Anton Beliaev (Eugene Onegin), whose vocal authority makes him a natural fit for the title role. He has, moreover, been awarded the Yves Paternot Prize of the Academy. Self-sufficient, scornful to the right degree, his Onegin is so full of himself that even when he realizes his past mistake—his ill-placed condescension toward the woman who loved him and still does—he struggles to shed his arrogance in order to win back that lost love.
- Jacques Schmitt , ResMusica
Read this article
But here, even beside this highly charismatic Gremin, it is Onegin who steals the spotlight, embodied by the Russian baritone Anton Beliaev who, like his Tatiana that evening, seems to have been nurtured on Tchaikovsky’s work from the very start. First, there is that voice of exquisite roundness, with its warmth of tone and phrasing in which every word, every feeling, is adorned with the right color and the most fitting nuance. Above all, with his grave and soon sweat-drenched face, there is his way of fully inhabiting the role of the seemingly insensitive man who rejects love—until love in turn rejects him—sealing a fate marked by solitude and sorrow. Admittedly, in this version with a slightly shortened score, this Onegin does not sing the aria of his lament in Act III, yet this takes nothing away from a performance of complete authenticity, which shortly after the performance earned Anton Beliaev the Yves Paternot Prize, the festival’s most important distinction awarded to a young artist.
- Pierre Géraudie
Read this article
Meanwhile, Onegin spouts banalities to the unfortunate Tatyana. Anton Beliaev is a baritone with a bright voice, in a role often sung by richer, darker voices, but he shapes a young and lively Onegin, caring little about charming Tatyana—an indifference that, of course, unsettles her all the more.
