
Tenor
Pavel Valuzhin
Represented by
Alex Grigorev
alex@tact4art.com
+4915290004020
Michael Murashov
michael@tact4art.com
Zarina Khazrat
zarina@tact4art.com
Representation
Represented by
Representation
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Michele Spotti / Thomas Wise, Conductor
Vincent Huguet, Stage Director
Stage debut Rodolfo La Boheme with Royal Danish Opera, Duke of Mantua Rigoletto at Volksoper Wien, Rodolfo Bolshoi Theatre Moscow, stage debut with Hannover Staatsoper Lensky Eugene Onegin.
Future engagements will bring him to Hannover Staatsoper Faust in Boito’s Mefistofele, Theater Basel and Metropolitan Opera.
The title role of Gounod’s Faust, Duke of Mantua Rigoletto and Pinkerton Madama Butterfly, Alfredo La Traviata with Staatsoper Stuttgart, Rodolfo La Boheme for Metropolitan Opera*, Rodolfo La Boheme, Ivan Lykov The Tsar’s Bride, and the Duke of Mantua Rigoletto at the Bolshoi Theater Moscow, Semperoper Dresden in the covered role of Rodolfo La Boheme, Duke of Mantua Rigoletto at the Volksoper Wien, Alfredo La Traviata at the Basel Theater and in the Antibes, Theater Bonn, Duke of Mantua Rigoletto for Deutsche Oper Berlin, Opera de Toulon, Teatro Colon Buenos Aires, and the Bregenzer Festspiele. [* Cancelled]
Che gelida manina
Puccini - La Bohème
Che gelida manina
Puccini - La Bohème
Duet of Romeo and Juliet
Tchaikovskiy
Duet of Romeo and Juliet
Tchaikovskiy
Ella mi fu rapita
Verdi - Rigoletto
Ella mi fu rapita
Verdi - Rigoletto
Pavel Valuzhin versah den Lenski mit so schönen und feinen Tönen, dass es das Herz rührte. Sein Lenski ist ein junger, überschwänglicher Mann voller Verletzlichkeit. Auch hier konnte ich nur hingerissen zuhören.
Pavel Valuzhin gibt den Herzog von Mantua mit perfekter Technik und langem, langem Atem.
Dass man sich in diesen von Pavel Valuzhin mit betörendem Tenorschmelz gesungen und strahlender Höhe gesungenen Herzog von Mantua verlieben kann, ist durchaus verständlich, zumal er auch sportlich eine gute Figur macht und im zweiten Akt eine Gymnastikgruppe anleitet (Kostüme: Clémence Pernoud).
The tenor Pavel Valuzhin played a sympathetic duke. He posseses a lyrical voice with a clear timbre and good projection. He made his opening aria “Questa o quella” sound joyful and easy despite the challenging nature of tessitura; the tempi were quite fast but he managed to coronate the aria with a ringing B flat.
... Pavel Valuzhin, unites robustness and sensitivity for an interpretation that emphasizes musicality rather than braggadocio
Pavel Valuzhin possède l’aplomb sans histrionisme d’un rôle qu’il allonge d’un « e di pensier » final particulièrement généreux.