ARTIST OVERVIEW - ARTIST PROFILE

Artist Profile

Pavel Chervinsky - Profile picture
© Ivan Mudrov

Bass-Baritone

Pavel Chervinsky

"... and Chervinsky's beautiful bass rang out from the back of the stage as the King."
- Opera Magazine

Represented by

Marcin Kopec
marcin@tact4art.com
+44 79 81 91 88 14

Anna Kovtun
anna@tact4art.com

Representation

General World


Now on - Pavel Chervinsky - Back to Overview   BACK TO ARTISTS OVERVIEW
Upcoming Past
Feb 2022
2.
19:00

19:00

Giulio Cilona, Conductor
Lydia Steier, Stage Director

Feb 2022
27.
19:00

19:00

James Hendry, Conductor
Karsten Wiegand, Stage Director

Mar 2022
1.
19:00

19:00

Giulio Cilona, Conductor
Lydia Steier, Stage Director

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Jan 2022
23.
19:00

19:00

Giulio Cilona, Conductor
Lydia Steier, Stage Director

Dec 2021
19.
16:00

16:00

Stephan Zilias, Conductor
Immo Karaman, Stage Director

Oct 2021
3.
19:00

19:00

Mozart - Le nozze di Figaro - Figaro
Bolshoi Theatre Moscow

William Lacey, Conductor
Evgeny Pisarev, Stage Director

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Biography Highlights

 
 

Current & Future engagements

As a soloist of the ensemble at the Staatsoper Hannover, Chervinsky takes on the roles of Dulcamara L'elisir d'amore, Figaro Le Nozze di Figaro, Gremin Eugene Onegin, Sparafucile Rigoletto, Zuniga Carmen, Lodovico Otello, Starveling A Midsummer Night's Dream.    

 
 

Recent engagements

Debut with the Opera Nacional in Santiago de Chile as  The King of Egypt  Aida and as Gremin in Eugene Onegin*, debut at the Staatsoper Hannover with the roles of Basilio Il Barbiere di Siviglia, Sparafucile Rigoletto*, Il Re Aida* and Ruggiero La Juive, Orbassano Tancredi, Salieri Mozart and Salieri, debut with Teatro Massimo came with the role Alidoro La Cenerentola.  

 
 

Portraits

1
© Ivan Mudrov

Tenor Vinas Finale

Tenor Vinas Finale

Don Basilio

Rossini - Il Barbiere di Siviglia

Don Basilio

Rossini - Il Barbiere di Siviglia

 

Reviews & Press

 
 

Opera Nacional de Chile - Verdi - Aida - King of Egypt

and Pavel Chervinsky's beautiful bass rang out from the back of the stage as the King.
 

- Matías Pérez , Opera Magazine

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