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Artist Profile

Pavel Chervinsky - Profile picture
© Ivan Mudrov

Bass-Baritone

Pavel Chervinsky

"... and Chervinsky's beautiful bass rang out from the back of the stage as the King."
- Opera Magazine

Represented by

Marcin Kopec
marcin@tact4art.com
+44 79 81 91 88 14

Anna Kovtun
anna@tact4art.com

Representation

General World


Now on - Pavel Chervinsky - Back to Overview   BACK TO ARTISTS OVERVIEW
Upcoming Past
Jan 2023
13.
19:30

19:30

James Hendry, Conductor
Eva-Maria Höckmayr, Stage Director

Jan 2023
15.
19:30

19:30

James Hendry, Conductor
Eva-Maria Höckmayr, Stage Director

Jan 2023
20.
19:30

19:30

James Hendry, Conductor
Eva-Maria Höckmayr, Stage Director

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Nov 2022
19.
19:30

19:30

Mikhail Agrest, Conductor
Nicola Hümpel, Stage Director

Nov 2022
6.
18:00

18:00

Ricardo Casero, Conductor
Leo Castaldi, Stage Director

Nov 2022
5.
20:00

20:00

Ricardo Casero, Conductor
Leo Castaldi, Stage Director

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Biography Highlights

 
 

Current & Future engagements

As a soloist of the ensemble at the Staatsoper Hannover, Chervinsky takes on the roles of Dulcamara L'elisir d'amore, Figaro Le Nozze di Figaro, Gremin Eugene Onegin, Sparafucile Rigoletto, Zuniga Carmen, Lodovico Otello, Starveling A Midsummer Night's Dream.
 
 

 
 

Recent engagements

Debut with the Opera Nacional in Santiago de Chile as  The King of Egypt  Aida and as Gremin in Eugene Onegin*, debut at the Staatsoper Hannover with the roles of Basilio Il Barbiere di Siviglia, Sparafucile Rigoletto*, Il Re Aida* and Ruggiero La Juive, Orbassano Tancredi, Salieri Mozart and Salieri, debut with Teatro Massimo came with the role Alidoro La Cenerentola.
 

 
 

Portraits

1
© Ivan Mudrov

Tenor Vinas Finale

Tenor Vinas Finale

Don Basilio

Rossini - Il Barbiere di Siviglia

Don Basilio

Rossini - Il Barbiere di Siviglia

Bravo, signor padrone...

Mozart - Le nozze di Figaro

Bravo, signor padrone...

Mozart - Le nozze di Figaro

 

Reviews & Press

 
 

Opera Nacional de Chile - Verdi - Aida - King of Egypt

and Pavel Chervinsky's beautiful bass rang out from the back of the stage as the King.
 

- Matías Pérez , Opera Magazine

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