
Tenor
Oleg Dolgov
Represented by
Representation
Represented by
Representation
Filipp Selivanov, Conductor
Filipp Selivanov, Conductor
Daniele Callegari, Conductor
Stefano Poda, Stage Director
Filipp Selivanov, Conductor
Filipp Selivanov, Conductor
Filipp Selivanov, Conductor
Anton Grishanin, Stage Director
Herman Pique Dame, Don José Carmen, Vaudémont Iolanta, Sergei Katerina Izmailova, The Pretender Boris Godunov, Prince in Dvořák’s Rusalka, Riccardo Un ballo in maschera, Andrey Mazeppa, Cavaradossi Tosca all for Bolshoi Theatre Moscow; Herman Pique Dame for Opéra Nice and Opéra de Toulon, Andrey Mazeppa in concert in Paris* and Toulouse, Paolo Malatesta in Rachmaninoff’s Francesca da Rimini in the Concertgebouw Amsterdam, tenor solo in Rachmaninoff’s The Bells* at Lisboa Fundação Calouste Gulbenkian, Сoncert Festival MITO Settembre Musica Turin & Milan, and with the Belgian National Orchestra; Sergei Katerina Izmailova* and Mikhail Andreyevich Tucha The Maid of Pskov both in concert at Philharmonie de Paris [*- cancelled]
Don José Carmen for New National Theatre Tokyo, Vaudémont Iolanta in Prague, Savonlinna Festival and in concert in Tokyo; Young Gypsy Aleko, Dante and Paolo Malatesta Francesca da Rimini both in concert for the Scottish Opera, tenor solo in Rachmaninoff’s The Bells with Symphonieorchester des Bayerischen Rundfunks and for BBC Proms London, title part Semyon Kotko in the Concertgebouw Amsterdam; Prince Yuriy The Enchantress, King Charles VII The Maid of Orleans, Lykov The Tsar’s Bride for Bolshoi Theatre Moscow; Ikharev The Gambler for Holland Festival, The Pretender Boris Godunov in Opéra Royal de Wallonie and The Festival Internacional de Santander, parts in Shostakovich’s From Jewish Folk Poetry for the Rostropovich Festival, War and Peace in Spoleto, and Tchaikovsky’s Cherevichki at Teatro alla Scala Milano.
The Bells
Bavarian Radio Choir and Symphony Orchestra conducted by Maris Jansons
The Bells
Bavarian Radio Choir and Symphony Orchestra conducted by Maris Jansons
La voix saine d’Oleg Dolgov possède toute la vaillance nécessaire au héros, mais sans basculer dans l’hystérie.
Du côté des hommes, Oleg Dolgov, idéale ligne de chant et belle projection, campe avec aisance un Hermann froidement réaliste,
Oleg Dolgov (...) impersona un Herman fremente e prezioso, giocato sia sulla forza dell’emissione, sia sulle sottigliezze psicologiche, dosando a perfezione lo squillo e il tratto eroico, riuscendo alla fine a risultare corretto e convincente
The young Gypsy of Dolgov was wonderful in his romance