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Artist Profile

Néstor Bayona - Profile picture
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Conductor

Néstor Bayona

Represented by

Adrian Lavía
adrian@tact4art.com
+34 606185128

Lidia Chertova
lidia@tact4art.com

Representation

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Upcoming Past
Nov 2024
29.
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Bassem Akiki, Conductor
David Pountney, Stage Director

Nov 2024
27.
20:00

20:00

Bassem Akiki, Conductor
David Pountney, Stage Director

Nov 2024
24.
18:00

18:00

Bassem Akiki, Conductor
David Pountney, Stage Director

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Biography Highlights

 
 

Recent & Upcoming

La Corte del Faraón at the Festival de Teatro Lírico Español, Luisa Fernanda at the Festiwal im. Jana Kiepury, La Gran Vía at Teatro de la Zarzuela, Cavalleria Rusticana and Pagliacci at the Cluj-Napoca Hungarian Opera, assistant conductor Die schwarze Maske at the Polish National Opera and Polish National Radio Symphony Orchestra (NOSPR), Norma recording and concert with the Pentatone and the Transylvania State Philharmonic Orchestra and Pelléas et Mélisande at the Enescu Festival.
Nestor was assistant conductor at Opéra de Marseille for two seasons and assisted other productions at Gran Teatre del Liceu, Komische Oper Berlin and Oper Frankfurt, just to name a few.
Néstor Bayona´s recent and future engagements include collaboration with the Polish National Radio Symphony Orchestra (NOSPR), Orquesta de la Radio Televisión Española, Orquesta Sinfónica del Principado de Asturias in the León Spanish Music Festival, Oviedo Filarmonía, Orquesta de Extremadura, El Barberillo de Lavapiés with the Filharmonia Krakowska, the Transylvania State Philharmonic Orchestra, Filharmonia Sudecka, La Joven Orquesta Nacional de España, Orquestra Simfònica del Vallès, Orquesta de la Comunidad de Madrid, Orchestre Philharmonique de Marseille, Bochumer Symphoniker, Orquesta de Castilla y León and made his debut at the Berliner Philharmoniker with the Deutsche Skandinavische Jugend-Philharmonie.
Néstor was recognised as an Associate Member of the Royal Northern College of Music, a new award for up-and-coming alumni of the college.
Néstor Bayona has been appointed as the Artistic Director of the Ricard Viñes International Piano Competition.
 

 
 

Previous

Orquestra Simfònica del Vallès, Orquesta de la Comunidad de Madrid, Orchestre Philharmonique de Marseille, Bochumer Symphoniker, Orquesta de Extremadura, Orquesta de Castilla y León. Assistant conductor to Lawrence Foster in the ​​Pelléas et Mélisande at the Enescu Festival. Assistant conductor at theOpera de Marseille, Komische Oper Berlin and Gran Teatre del Liceu.

 
 

Stage Photos

 

J. Strauss II: Die Fledermaus - Overture

J. Strauss II: Die Fledermaus - Overture

Bartok - Concerto for Orchestra, Sz. 116

Bartok - Concerto for Orchestra, Sz. 116

Interview Cavalleria Rusticana / Pagliacci - Napoca Hungarian Opera

Interview Cavalleria Rusticana / Pagliacci - Napoca Hungarian Opera

Tchaikovsky - Symphony No. 4 in F minor, Op. 36

Tchaikovsky - Symphony No. 4 in F minor, Op. 36

 

Reviews & Press

 
 

National Polish Radio Symphony Orchestra Names Resident Conductor

Nestor Bayona has been named Resident Conductor of the National Polish Radio Symphony Orchestra. The news comes after the Spanish conductor assisted the orchestra and Marin Alsop on a successful tour to Japan.  As the new Resident Conductor, Bayona will join NOSPR and its Music Director Lawrence Foster during the 2022-23 season after a two-year tenure as its Assistant Conductor. Starting in January 2023, Bayona will assist Foster as well as conduct a number of symphonic concerts, leading NOSPR in a variety of different concert programs, and significant projects such as recordings, family, and educational concerts.
 

- Francisco Salazar , Operawire

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Debut with OSPA

The OSPA, under Néstor Bayona´s accurate baton, knew how to face the difficulties hidden behind the four movements written by the Mallorcan composer. The balance of the Asturian ensemble came to the fore in the lyricism of the "Andante con motto", although surely the most impressive passages would come with the"theme and variations" (third movement), where the strings and woodwinds displayed a more than remarkable level, reserving some marked dynamics and a more powerful volume, with a certain air of solemnity, for the final "Allegro brillante", sealing an hour and a quarter of great musical level and the first edition of a Festival which, judging by the support of the public, seems to have come to stay.
 

- Jonathan Mallada Álvarez

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