
Tenor
Nico Darmanin
"The Maltese tenor Nico Darmanin fires off his stratospheric top notes and coloratura volleys like a vocal Roman candle." - The Sunday Times
Represented by
Representation
"The Maltese tenor Nico Darmanin fires off his stratospheric top notes and coloratura volleys like a vocal Roman candle." - The Sunday Times
Represented by
Representation
Verdi, G. - Traviata - Alfredo Germont
Estonian National Opera
Arvo Volmer, Conductor
Neeme Kuningas, Stage Director
Verdi, G. - Traviata - Alfredo Germont
Estonian National Opera
Arvo Volmer, Conductor
Neeme Kuningas, Stage Director
Rossini, G. - L ‘italiana in Algeri - Lindoro
Tiroler Landestheater
Kerem Hasan, Conductor
Anette Leistenschneider, Stage Director
Donizetti, G. - Don Pasquale - Ernesto
Estonian National Opera
Arvo Volmer, Conductor
Giorgio Bongiovanni, Stage Director
Debut with Bordeaux Opera as Rimbaud Roberto Diavolo, return to Cardiff Welsh National Opera as Count Almaviva Barbiere di Siviglia, Romeo Romeo et Juliette, Ernesto Don Pasquale and Alfredo La Traviata at the Estonian National Opera, return to Innsbruck Opera as Lindoro L'Italiana in Algeri, Alfredo La Traviata at Opera de Limoges.
Salzburger Festspiele debut in Verdi’s I vespri siciliani as Daniele*, return to the Royal Opera House as Pong Turandot and Remendado Carmen, Alfredo La Traviata in Opera North Leeds, Uberto di Snowdon La donna del lago at the Buxton Festival*, Prince Ramiro La Cenerentola at the Hampshire the Grange Festival*, Rinuccio Gianni Schicchi at Innsbruck Opera, Prince Ramiro La Cenerentola for Grange Festival, Ernesto Don Pasquale in Cardiff’s Welsh National Opera, Romeo Romeo and Juliet at the Estonian National Opera, Alberto La Gazetta in Salzburg Landestheater, Ernesto Don Pasquale Welsh National Opera, Gastone, Alfredo La traviata Glyndebourne on Tour, Sammut Aħna Refuġjati at Valetta Opera, Les Vepres Siciliennes at the Royal Opera House, Conte Almaviva Il Barbiere di Siviglia Welsh National Opera, Prince Ramiro La Cenerentola at the Scottish Opera and Opera Holland Park, Italian Tenor Rosenkavalier and Don Ottavio Don Giovanni in Opera Vlaanderen, Belfiore Il Viaggio a Reims Rossini Opera Festival in Pesaro, Don Ottavio Don Giovanni Nederlandse Reisopera, Comte Ory Dorset Opera Festival, Mergy Le Pré aux clercs at Wexford Opera Festival, Massenet’s Thais at the Cadogan Hall. *canceled
Ah leve toi soleil
Gounod - Roméo et Juliette
Ah leve toi soleil
Gounod - Roméo et Juliette
Deh miei bollenti spiriti'
Verdi - La Traviata
Deh miei bollenti spiriti'
Verdi - La Traviata
Com'é gentil
Donizetti - Don Pasquale
Com'é gentil
Donizetti - Don Pasquale
The best and solid impression was left by Nico Darmanin, who sang Ernesto on the opening night. His singing flowed strongly and freely like a mountain stream.
Maltese tenor Nico Darmanin sang his second premiere on the Estonian stage. A year ago, he shone as Romeo in Charles Gounod's opera "Romeo and Juliet". He has a bright and even voice with a beautiful sound. Darmanin's very moving and temperamental portrayal of Don Pasquale's nephew Ernesto contrasted well with the frozen environment around Don Pasquale.
Roméo, Nico Darmanin, has the ideal voice for the role: light, lyrical but with enough heft and brilliance for the more dramatic scenes… Darmanin was superb in the well-known ‘Ah! Lève-toi, soleil’, sung with a true glow, and elsewhere he was just as impressive.
In schüchterner Unbeholfenheit mimt Nico Darmanin den Alberto mit witzigem Applomb und steigert sich mit tänzerischer Beweglichkeit komödiantisch in die Rolle hinein. Gesanglich glänzt er mit lyrischer Farbe seines virtuos beweglichem Tenors mit Leichtigkeit in den Höhen.
The surprise for the evening was the Maltese tenor Nico Darmanin as Alberto. With a full bodied Mediterranean timbre voice demonstrated perfected Rossini singing, met with precise ornamentation and diction, pleasing with (committed) dedicated playfulness...was truly a refreshing change to the many white timbered voices from the anglo-american region.
Nico Darmanin's vital, Latinata tenor is already much in demand, and his buoyant vocalism and free-and-easy high notes brought his Rodolfo distinction.