© Bertie Watson
Tenor
Nico Darmanin
" ... perfected Rossini singing met with precise ornamentation and diction, pleasing with (committed) dedicated playfulness" - Das Opernglas
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Upcoming Past
Jun 2021
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David Parry, Conductor
Stephen Barlow, Stage Director
Jun 2021
17.
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Arvo Volmer, Conductor
Stephen Barlow, Stage Director
Jun 2021
19.
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David Parry, Conductor
Stephen Barlow, Stage Director
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Jun 2021
12.
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17:30
David Parry, Conductor
Stephen Barlow, Stage Director
May 2021
16.
19:00
19:00
Arvo Volmer, Conductor
Giorgio Bongiovanni, Stage Director
Mar 2021
20.
12:00
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Tommaso Turchetta, Conductor
Anette Leistenschneider, Stage Director
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Biography Highlights
Current & Future Engagements
Salzburger Festspiele debut in Verdi’s I vespri siciliani as Daniele, debut with Bordeaux Opera, return to the Royal Opera House as Pong Turandot and Remendado Carmen, Romeo Romeo et Juliette and Ernesto Don Pasquale at the Estonian National Opera, Alfredo La Traviata in Opera North Leeds, return to Innsbruck Opera as Lindoro L'Italiana in Algeri.
Recent Engegements
Uberto di Snowdon La donna del lago at the Buxton Festival*, Prince Ramiro La Cenerentola at the Hampshire the Grange Festival*, Rinuccio Gianni Schicchi at Innsbruck Opera, Prince Ramiro La Cenerentola for Grange Festival, Ernesto Don Pasquale in Cardiff’s Welsh National Opera, Romeo Romeo and Juliet at the Estonian National Opera, Alberto La Gazetta in Salzburg Landestheater, Ernesto Don Pasquale Welsh National Opera, Gastone, Alfredo La traviata Glyndebourne on Tour, Sammut Aħna Refuġjati at Valetta Opera, Les Vepres Siciliennes at the Royal Opera House, Conte Almaviva Il Barbiere di Siviglia Welsh National Opera, Prince Ramiro La Cenerentola at the Scottish Opera and Opera Holland Park, Italian Tenor Rosenkavalier and Don Ottavio Don Giovanni in Opera Vlaanderen, Belfiore Il Viaggio a Reims Rossini Opera Festival in Pesaro, Don Ottavio Don Giovanni Nederlandse Reisopera, Comte Ory Dorset Opera Festival, Mergy Le Pré aux clercs at Wexford Opera Festival, Massenet’s Thais at the Cadogan Hall.
Portraits
© Bertie Watson
© Brian Grech
© Brian Grech
© Bertie Watson
© Brian Grech
© Bertie Watson
Roméo et Juliette
Roméo et Juliette
La fille du régiment
La fille du régiment
Gianni Schicchi
Gianni Schicchi
Reviews & Press
Estonian National Opera - Donizetti - Don Pasquale - Ernesto
The best and solid impression was left by Nico Darmanin, who sang Ernesto on the opening night. His singing flowed strongly and freely like a mountain stream.
- Alvar Loog , Postimees
Maltese tenor Nico Darmanin sang his second premiere on the Estonian stage. A year ago, he shone as Romeo in Charles Gounod's opera "Romeo and Juliet". He has a bright and even voice with a beautiful sound. Darmanin's very moving and temperamental portrayal of Don Pasquale's nephew Ernesto contrasted well with the frozen environment around Don Pasquale.
Eesti Päevaleht
Estonian National Opera - Gounod - Roméo et Juliette - Roméo
Roméo, Nico Darmanin, has the ideal voice for the role: light, lyrical but with enough heft and brilliance for the more dramatic scenes… Darmanin was superb in the well-known ‘Ah! Lève-toi, soleil’, sung with a true glow, and elsewhere he was just as impressive.
- Göran Forsling , Seen and Heard International
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Salzburg Landestheater - Rossini - La Gazetta - Alberto
In schüchterner Unbeholfenheit mimt Nico Darmanin den Alberto mit witzigem Applomb und steigert sich mit tänzerischer Beweglichkeit komödiantisch in die Rolle hinein. Gesanglich glänzt er mit lyrischer Farbe seines virtuos beweglichem Tenors mit Leichtigkeit in den Höhen.
- Elisabeth Aumiller , Dreh Punkt Kultur
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The surprise for the evening was the Maltese tenor Nico Darmanin as Alberto. With a full bodied Mediterranean timbre voice demonstrated perfected Rossini singing, met with precise ornamentation and diction, pleasing with (committed) dedicated playfulness...was truly a refreshing change to the many white timbered voices from the anglo-american region.
Das Opernglas
Kersington Symphony Orchestra - La Bohème - Rodolfo
Nico Darmanin's vital, Latinata tenor is already much in demand, and his buoyant vocalism and free-and-easy high notes brought his Rodolfo distinction.
