
Tenor
Maxim Paster
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
Representation
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
Representation
Vladimir Jurowski, Conductor
Dmitri Tcherniakov, Stage Director
Vasily Petrenko, Conductor
Calixto Bieito, Stage Director
Vasily Petrenko, Conductor
Calixto Bieito, Stage Director
Vladimir Jurowski, Conductor
Dmitri Tcherniakov, Stage Director
Vladimir Jurowski, Conductor
Dmitri Tcherniakov, Stage Director
Vladimir Jurowski, Conductor
Dmitri Tcherniakov, Stage Director
Debut as Zinovy Lady Macbeth of Mtsensk at New National Theatre Tokyo, returns as Shuisky Boris Godunov at Bayerische Staatsoper, Opèra national de Paris, Bolshoi Theatre Moscow, Barclay de Tolly/Abbe’ War and Peace at Bayerische Staatsoper, Sopiel Sadko, Drunken Cossack Mazeppa, Dr. Blind The Bat at the Bolshoi Theatre Moscow.
Shuisky Boris Godunov at the Metropolitan Opera, New National Theatre Tokyo*, Deutsche Oper Berlin, Bayerische Staatsoper and Opèra national de Paris, Moderator Betrothal in a Monastery, Scrivener Khovanshchina* at Staatsoper Berlin, Teatro alla Scala, Tsar Berendey The Snow Maiden at the Bolshoi Theatre Moscow and Opéra national de Paris, Mephistopheles The Fiery Angel at Teatro dell’Opera di Roma and Bolshoi Theatre Moscow, Zinoviy Borisovich Lady Macbeth of Mtsensk at Teatro di San Carlo and Salzburger Festspiele next to multiple roles at the Bolshoi Theatre Moscow. [*- cancelled]
Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at Teatro Lirico di Cagliari, Janacek's Missa Glagolitica at Bolshoi Theatre Moscow, Palau de les Arts Valencia, Stravinsky's The Wedding at Gewandhaus Leipzig. [*- cancelled]
The Fiery Angel
Mephistophelles
The Fiery Angel
Mephistophelles
Sadko
Indian Guest
Sadko
Indian Guest
Boris Godunov
Shuisky
Boris Godunov
Shuisky
El siempre remunerativo y difícil papel del escriba tocó al muy correcto Paster.
In Act one, the tenor, Maxim Paster, gave a strong performance in the role of the Scribe. Menaced by Shaklovity and bullied by the crowd, Paster produced a convincing performance of a man trying to maintain his dignity whilst under stress. His voice was secure, with a pleasing timbre. He sang with a noble air, and projected the voice firmly.
On retiendra aussi la belle prestation de Maxim Paster en clerc
Maxim Paster als Mephistopheles ist ergreifend schrecklich und verführerisch zugleich.
Mefistofele di Maxim Paster, strepitoso, penetrante hohen Tenornel solco della tradizione istrionica – quando non isterica – d’inizio secolo (si pensi a Herodes nella Salome di Strauss o al Capitano nel Wozzeck di Berg, estreme propaggini del Mime wagneriano).
Maxim Paster has flair and panache as Mephistopheles and fills the scene with his presence both physically and vocally.