
Tenor
Maxim Paster
1975-2023
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
Representation
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
Representation
Vladimir Jurowski, Conductor
Dmitri Tcherniakov, Stage Director
Vasily Petrenko, Conductor
Calixto Bieito, Stage Director
Vasily Petrenko, Conductor
Calixto Bieito, Stage Director
1975-2023
It is with heavy hearts that we share the unexpected and deeply saddening news of the passing of the remarkable singer, Maxim Paster, who left us yesterday.
Maxim was more than just an extraordinary talent - he was a cherished member of our TACT Opera family for an unforgettable 15 years. Together, we embarked on a journey filled with breathtaking performances that graced some of the world's most prestigious stages, such as the Salzburg Festival, Opéra national de Paris Bastille, Bayerische Staatsoper, and the Metropolitan Opera.
We will forever cherish the memories of his incredible artistry and the passion he poured into every note. Maxim Paster, you will be fondly remembered, and your legacy will continue to inspire us all.
Rest in peace, dear Maxim.
Sadko
Indian Guest
Sadko
Indian Guest
Boris Godunov
Shuisky
Boris Godunov
Shuisky
El siempre remunerativo y difícil papel del escriba tocó al muy correcto Paster.
In Act one, the tenor, Maxim Paster, gave a strong performance in the role of the Scribe. Menaced by Shaklovity and bullied by the crowd, Paster produced a convincing performance of a man trying to maintain his dignity whilst under stress. His voice was secure, with a pleasing timbre. He sang with a noble air, and projected the voice firmly.
On retiendra aussi la belle prestation de Maxim Paster en clerc
Maxim Paster als Mephistopheles ist ergreifend schrecklich und verführerisch zugleich.
Mefistofele di Maxim Paster, strepitoso, penetrante hohen Tenornel solco della tradizione istrionica – quando non isterica – d’inizio secolo (si pensi a Herodes nella Salome di Strauss o al Capitano nel Wozzeck di Berg, estreme propaggini del Mime wagneriano).
Maxim Paster has flair and panache as Mephistopheles and fills the scene with his presence both physically and vocally.