
Baritone
Maxim Aniskin
"[Aniskin] displayed the driven, torn, and full of doubt character whom he gifted with a vocal depth and wit of character." - Der Standard
Represented by
Representation
"[Aniskin] displayed the driven, torn, and full of doubt character whom he gifted with a vocal depth and wit of character." - Der Standard
Represented by
Representation
Andrea Battistoni, Conductor
Davide Livermore, Stage Director
Andrea Battistoni, Conductor
Davide Livermore, Stage Director
Andrea Battistoni, Conductor
Davide Livermore, Stage Director
Karl-Heinz Steffens, Jiří Štrunc, Conductor
Martin Čičvák, Stage Director
Karl-Heinz Steffens, Jiří Štrunc, Conductor
Martin Čičvák, Stage Director
Karl-Heinz Steffens, Jiří Štrunc, Conductor
Martin Čičvák, Stage Director
Debut in Opera Australia as Count di Luna Il Trovatore, return to Prague National Theatre in the title part of Macbeth, return to Moscow Bolshoi Theatre as Ibn-Hakia Iolanta. At the Bolshoi Theatre of Moscow he sang Renato Un Ballo in Maschera, Robert Iolanta, he was scheduled to debut at the Teatro Municipal de Santiago in the title roles of Macbeth and Eugene Onegin, at the National Theatre Prague Aniskin and take on the title parts in Macbeth and Nabucco*.
Robert Iolanta, Mizgir Snow Maiden, Renato Un Ballo in Maschera Bolshoi Theatre Moscow, Eletsky Pique Dame at Teatro San Carlo Napoli, Macbeth Macbeth, Gryaznov The Tsar's Bride Teatro Municipal, Chile, Gryaznov The Tsar's Bride and Conte di Luna Il Trovatore for Chaliapine’s Festival in Kazan.
Robert Iolanta for the Metropolitan Opera, Aix-en-Provence Festival, Opera National de Lyon, Rodrigo Don Carlo, Prince Igor, Carlo Gerard Andrea Chenier, Renato Un Ballo in Maschera and Don Carlo Ernani all for Metropolitan Opera, NY, cover, Sir Riccardo I Puritani at Metropolitan Opera, NY singing & cover, Marcello La bohème, Eugene Eugene Onegin, Prince Yeletsky and Count Tomsky The Queen of Spades all Bolshoi Theatre Moscow.
Prince Yeletsky was nobly interpreted by the baritone Maksim Aniskin who sang formidably in his higher register, including a noble interpretation of “Ya vas lyublyu”, where he confesses his love to Lisa, singing with sincere passion and an elegant baritone.