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Soprano
Maria Kokareva
"...speed and agility in flawless vocalizations"
- - Thibault Vicq , Opera online
Represented by
Representation
"...speed and agility in flawless vocalizations"
- - Thibault Vicq , Opera online
Represented by
Representation
Constantin Trinks, Conductor
Claus Guth, Stage Director
Constantin Trinks, Conductor
Claus Guth, Stage Director
Constantin Trinks, Conductor
Claus Guth, Stage Director
Giedrė Šlekytė, Conductor
Bartlett Sher, Stage Director
Giedrė Šlekytė, Conductor
Bartlett Sher, Stage Director
Artur Just, Conductor
Upcoming debuts as Ismene in Il Mitridate at the Teatro alla Scala Milan and Théâtre des Champs Elysées under Christophe Russet;
Role debuts as Susanna Le Nozze di Figaro, Die Stimme des Falken Die Frau ohne Schatten, Frasnquita Carmen, Erste Knappe in Parsifal, Clotilde Norma at the Staatsoper Unter den Linden.
Rossini Opera Festival debut Madama Cortese and Delia in Il viaggio a Reims; Staatsoper Unter den Linden Berlin debut as Musetta La Boheme under Giuseppe Mentuccia; as part of the International Opera Studio appearances include Papagena Die Zauberflöte, Dirce in Medea, Barbarina Le Nozze under Marc Minkowski.
"Best Singer Under 25" special prize at the "Concorso Lirico Internazionale Portofino";
Winner of the 73° competition for young opera singers AsLiCo section “Voci Emergenti”
Special Prize of the Elena Obraztsova Charitable Foundation and a Finalist in the International Contest of Young Vocalists Elena Obraztsova.
Mozart - Le Nozze di Figaro - L’ho perduta me meschina”
Mozart - Le Nozze di Figaro - L’ho perduta me meschina”
Mozart - Die Entführung aus dem Serail - aria of Konstanze “Martern aller arten“
Mozart - Die Entführung aus dem Serail - aria of Konstanze “Martern aller arten“
We couldn't have wished for a better [...] Maria Kokareva's (Madama Cortese) speed and agility in flawless vocalizations.
Her bellflower-fresh, bright lyric soprano has substance, her creative gift dramaturgically enhancing this otherwise often pale secondary character in the opera.