©
Bass
Lobel Barun
Represented by
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
BACK TO ARTISTS OVERVIEW
Upcoming Past
Aug 2025
12.
19:30
19:30
Kaapo Ijas, Conductor
Amy Lane, Stage Director
Aug 2025
13.
19:30
19:30
Kaapo Ijas, Conductor
Amy Lane, Stage Director
Aug 2025
15.
19:30
19:30
Kaapo Ijas, Conductor
Amy Lane, Stage Director
SHOW MORE
Jul 2025
12.
19:00
19:00
Antonino Fogliani, Conductor
Andreas Homoki, Stage Director
Jul 2025
7.
19:00
19:00
Adrian Kelly, Conductor
Jul 2025
4.
19:00
19:00
Antonino Fogliani, Conductor
Andreas Homoki, Stage Director
SHOW MORE
Biography Highlights
Upcoming§Recent
Alidoro in La Cenerentola at Bregenzer Festpiele, Verdi Requiem with Orquesta Reino Aragon of Zaragoza, concert with Zagreb Philharmonic Orchestra at the Concert Hall Vatroslav Lisinski, Salieri in Mozart and Salieri in Bersa concert hall, Bacchus in Papandopulo's Amphitryon in Croatian National Theatre. As a member of the young artist program at Opernhaus Zürich, Lobel will perform in the 2024/2025 season productions as Il comandante di marina in Manon Lescaut, The Imperial Commissioner in Madama Butterfly, 6 Stimmen in Jakob Lenz, Jude in Salome, and Wilhelm/Le Capitaine des Sbires in Les Contes d'Hoffmann, Don Prudenzio in Il viaggio a Reims.
Awards
In 2023, Lobel won the International Vocal Competition Lazar Jovanovic in Belgrade and was honored with a special prize from Željko Lučić
Portraits
©
©
©
©
©
©
©
Dvořák: Stabat mater - Fac, ut ardeat cor meum
Dvořák: Stabat mater - Fac, ut ardeat cor meum
Rachmaninoff - Cavatina Aleko
Rachmaninoff - Cavatina Aleko
Mozart: O Isis und Osiris - Sarastro's aria from Die Zauberflöte
Mozart: O Isis und Osiris - Sarastro's aria from Die Zauberflöte
Reviews & Press
Verdi, G. - Requiem
En el Confutatis el bajo Lobel Barun nos mostró un precioso registro agudo en el que el croata supo lucir buen fraseo y una potencia adecuada.
- David Santana , codalario.com
Read this article
Then, the deep voice of bass Lobel Barun created an atmosphere of dread in ‘Mors stupebit’ while in the contemplative ‘Liber Scriptus’ mezzo Sandra Ferrández showed an excellent balance of registers
