Language Coach
Liuba Orfenova
Represented by
Alex Grigorev
alex@tact4art.com
+31 647 900 647
Elena Onoprienko
elena@tact4art.com
+31 6 452 040 17
Ekaterina Yazykova
ekaterina@tact4art.com
Representation
Represented by
Representation
Beethoven Hall
Beethoven Hall
Dmitry Matvienko, Conductor
Damiano Michieletto, Stage Director
Henrik Nánási, Conductor
Ted Huffman, Stage Director
Henrik Nánási, Conductor
Ted Huffman, Stage Director
Henrik Nánási, Conductor
Ted Huffman, Stage Director
The Tale of Tsar Saltan at La Monnaie de Bruxelles, Betrothal in a Monastery at Theater an der Wien, Eugene Onegin at the Royal Opera House, The Gambler at the Salzburger Festspiele, Boris Godunov at the Dutch National Opera, Eugene Onegin at Wiener Staatsoper, The Nose and War and Peace at Bayerische Staatsoper, Lady Macbeth of Mtsensk at Grand Theatre de Genève.
Snow Maiden, Prince Igor, Khovanshchina with Opéra national de Paris, Boris Godunov at the ROH Covent Garden, Semyon Kotko, The Golden Cockerel, Boris Godunov in concert in Royal Concertgebouw Amsterdam, Snow Maiden and Boris Godunov at Opéra de Paris, Lady Macbeth of Mtsensk, Boris Godunov, The Fiery Angel at the Bavarian State Opera, Eugene Onegin, Mazeppa, The Fiery Angel at Komische Oper Berlin, Pique Dame, Khovanshchina, Eugene Onegin, The Legend of the Invisible City of Kitezh at the Dutch National Opera and Ballet in Amsterdam, Boris Godunov, Lady Macbeth of Mtsensk at Teatro Real in Madrid, Boris Godunov, Khovanshchina, The Gambler, Eugene Onegin, The Legend of the Invisible City of Kitezh, Pique Dame at Gran Teatre del Liceu Barcelona, Sadko at Bolshoi Theatre, Eugene Onegin at the Glyndebourne Festival, Charodeyka at Theater an der Wien, Eugene Onegin with Orchestre Philharmonique du Luxembourg.
Deutsche Grammophon/Neeme Järvi: Mazeppa, Aleko, Francesca da Rimini, The Miserly Knight; BMG/Gennady Rozhdestvensky: Rothschild’s Violin; CHANDOS/Gennady Rozhdestvensky: Moskva Cheremushky; EMI/James Conlon: Le Rossignol, Renard.
ein großes Lob für den Sprachcoach Liuba Orfenova, denn alle sangen ein perfektes Russisch, auch der Chor der Oper, und das macht wirklich etwas aus!