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Lindsay Ammann - Profile picture
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Contralto

Lindsay Ammann

Represented by

Samuel Levine
sam@tact4art.com
+49 179 4114 598

Alex Grigorev
alex@tact4art.com
+31 647 900 647

Olga Izak
olga@tact4art.com

Representation

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Now on - Lindsay Ammann - Back to Overview   BACK TO ARTISTS OVERVIEW
Oct 2025
3.
19:30

19:30

Rafael Payare, Conductor
Gerard McBurney, Stage Director

Oct 2025
5.
14:00

14:00

Rafael Payare, Conductor
Gerard McBurney, Stage Director

Biography Highlights

 
 

Upcoming & Recent

Amme Die Frau ohne Schatten Opéra de Lyon, Teatr Wielki Opera Narodowa, Hérodias Salome Opéra de Lyon, Serena Joy A Handmaid’s Tale San Francisco Opera, Erda/Flosshilde/Erste Norn Der Ring des Nibelungen and Maddalena Rigoletto Deutsche Oper Berlin, La zia principessa Suor Angelica, Dritte Dame Die Zauberflöte The Metropolitan Opera, Dritte Dame Grand Theatre de Geneve, Mescalina Le Grand Macabre Bayerische Staatsoper, Larina Eugene Onegin and Mother Wegener Lili Elbe The Santa Fe Opera, Erda Siegfried The Atlanta Opera

 
 

Previous

Dritte Dame, Larina, Jezibaba, Forester's Wife Cunning Little Vixen, Louise Die Teufel von Loudon Bayerische Staatsoper, Erda Das Rheingold Dallas Opera, David Pountney’s new production of Flosshilde/Schwertleite Der Ring des Nibelungen Lyric Opera of Chicago, Rossweiße Der Ring des Nibelungen The Metropolitan Opera, Quickly Falstaff Opera Omaha, Jezibaba Rusalka Aalto Theater Essen, Azucena Il Trovatore Central City Opera, Erda/Die erste Norn/Schwertleite DER RING, Washington National Opera, Schwertleite/Erste Norn Der Ring des Nibelungen Canadian Opera Company

 
 

Portraits

Lindsay Ammann,
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Reviews & Press

 
 

Opéra de Lyon - Die Frau ohne Schatten - Die Amme

We are finally left speechless by the performance of Lindsay Ammann, Nanny with astonishing bass depth, seemingly inexhaustible vocal power, formidable in her composition evoking the governess in Rebecca.
 

ConcertClassic

Lindsay Ammann finally turns out to be the best Nanny heard on the current circuit. We could only give the example of its finale of the second act, jubilant and whose last note is held beyond reason despite the deluge (of decibels) which falls on the stage but that would be to ignore all the vocal trickery that she knows how to color with demonic accuracy.
 

ForumOpera

Ammann impresses with her excessive ambitus and the brilliance of her feverish tone. Its bass, nourished by abundant breath, resonates in the depths of its instrument, while its treble has the brilliance of a dagger.
 

Olyrix

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