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Contralto, Mezzo Soprano
Lindsay Ammann
Represented by
Samuel Levine
sam@tact4art.com
+49 179 4114 598
Alex Grigorev
alex@tact4art.com
+31 647 900 647
Olga Izak
olga@tact4art.com
Representation
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Oct 2025
3.
19:30
19:30
Rafael Payare, Conductor
Gerard McBurney, Stage Director
Oct 2025
5.
14:00
14:00
Rafael Payare, Conductor
Gerard McBurney, Stage Director
May 2026
21.
20:00
20:00
Gustavo Dudamel , Conductor
Alberto Arvelo, Stage Director
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Biography Highlights
Upcoming & Recent
Amme Die Frau ohne Schatten Opéra de Lyon, Teatr Wielki Opera Narodowa, Serena Joy A Handmaid’s Tale San Francisco Opera, Erda/Flosshilde/Erste Norn Der Ring des Nibelungen and Maddalena Rigoletto Deutsche Oper Berlin, La zia principessa Suor Angelica, Dritte Dame Die Zauberflöte The Metropolitan Opera, Dritte Dame Grand Theatre de Geneve, Mescalina Le Grand Macabre Bayerische Staatsoper, Larina Eugene Onegin and Mother Wegener Lili Elbe The Santa Fe Opera, Erda Siegfried The Atlanta Opera
Previous
Dritte Dame, Larina, Jezibaba, Forester's Wife Cunning Little Vixen, Louise Die Teufel von Loudon Bayerische Staatsoper, Erda Das Rheingold Dallas Opera, David Pountney’s new production of Flosshilde/Schwertleite Der Ring des Nibelungen Lyric Opera of Chicago, Rossweiße Der Ring des Nibelungen The Metropolitan Opera, Quickly Falstaff Opera Omaha, Jezibaba Rusalka Aalto Theater Essen, Azucena Il Trovatore Central City Opera, Erda/Die erste Norn/Schwertleite DER RING, Washington National Opera, Schwertleite/Erste Norn Der Ring des Nibelungen Canadian Opera Company
Portraits
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Reviews & Press
Opéra de Lyon - Die Frau ohne Schatten - Die Amme
We are finally left speechless by the performance of Lindsay Ammann, Nanny with astonishing bass depth, seemingly inexhaustible vocal power, formidable in her composition evoking the governess in Rebecca.
ConcertClassic
Lindsay Ammann finally turns out to be the best Nanny heard on the current circuit. We could only give the example of its finale of the second act, jubilant and whose last note is held beyond reason despite the deluge (of decibels) which falls on the stage but that would be to ignore all the vocal trickery that she knows how to color with demonic accuracy.
ForumOpera
Ammann impresses with her excessive ambitus and the brilliance of her feverish tone. Its bass, nourished by abundant breath, resonates in the depths of its instrument, while its treble has the brilliance of a dagger.
Olyrix
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