
Tenor
Juan de Dios Mateos
"... charm, clarity of tone, and lithe physicality." - Australian Book Review
Represented by
Olivier Lallouette
lallouette@tact4art.com
+31 633 04 24 94
Ekaterina Yazykova
ekaterina@tact4art.com
Representation
"... charm, clarity of tone, and lithe physicality." - Australian Book Review
Represented by
Representation
Fabio Mastrangelo, Conductor
Emma Dante, Stage Director
Fabio Mastrangelo, Conductor
Emma Dante, Stage Director
Ottavio Dantone, Conductor
Jetske Mijnssen, Stage Director
Count Almaviva Il Barbiere di Siviglia and Conte di Libenskof Il Viaggio a Reims for Deutsche Oper Berlin, Count Almaviva Il Barbiere di Siviglia for Opera den Norske-Oslo and at Stadttheater Klagenfurt*; Ramiro La Cenerentola for Teatro Petruzzelli- Bari, Lindoro L’Italiana in Algeri for Opéra Nacional de Chile, Belfiore Il Viaggio a Reims and Don Ottavio Don Giovanni for Opera Australia, Mitrane Semiramide* at Gran Teatre del Liceu. [* - cancelled]
Belfiore Il Viaggio a Reims for Gran Teatre del Liceu, Narciso Il Turco in Italia for Ópera de Oviedo and Theater Hagen, Der Soldat Reigen by Boesmans, Sir Philip/Narrator Owen Wingrave, Mercure/Thélème Les Fêtes d’Hébé, Bastien Bastien et Bastienne all for Opéra National de Paris.
The second prize of Hariclea Darclée International Voice Competition, the Extraordinary prize of Ferrer-Salat Foundation in Tenor Viñas International Competition 2019 and prize winner of the Fiorenza Cedolins 2nd competition 2021 .
La Cenerentola
Hariclea Darclée International Voice Competition - "Si, ritrovarla io giuro"
La Cenerentola
Hariclea Darclée International Voice Competition - "Si, ritrovarla io giuro"
Le Comte Ory
Le Comte Ory
Il Turco in Italia
Theater Hagen - aria di Narciso
Il Turco in Italia
Theater Hagen - aria di Narciso
Juan de Dios Mateos as Don Ottavio was in splendid voice portraying his character as finicky , pompous , narrow minded and rather innocuous. He shone particularly in two arias ‘Dalla sua pace la mia depende’ in Act1 and ‘Il Mio Tesoro’ in Act 2
Lindoro su enamorado al que rescatará de la esclavitud de Mustafá, lo canto el joven tenor español Juan de Dios Mateos...haciéndolo sin forzar la voz, que es de gran belleza, y corre perfectamente aún en los grupos vocales, sus agudos son seguros, así como sus coloraturas, su actuación es muy natural y juega muy bien la comedia, será muy interesante escucharle nuevamente.