"she is one of the few sopranos able to cope with this taxing role... makes Renata's strikingly evocative obsession credible, she marshaled an array of colors...warm and elegantly contoured (...) She is also a superb actress." - Classical Music Daily
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Puccini, G. - Tosca - Floria Tosca
National Theatre Prague
Ondrei Olos, Conductor
Martin Otava, Stage Director
Puccini, G. - Tosca - Floria Tosca
National Theatre Prague
Ondrei Olos, Conductor
Martin Otava, Stage Director
Puccini, G. - Tosca - Floria Tosca
National Theatre Prague
Ondrei Olos, Conductor
Martin Otava, Stage Director
Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director
Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director
Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director
Returns to Teatro dell'Opera di Roma as Turandot, debuts at Opéra National de Montpellier, National Theatre Prague, and returns to the Polish National Opera, Opera Wroclaw as Floria Tosca.
Italian debut as Renata The Fiery Angel at the Teatro dell'Opera di Roma, Halka at the Theater an der Wien, return at the Polish National Opera in the title roles of Tosca, Halka and Die tote Stadt; Turandot at the Opera Podlaska, Tosca for Opera en Plein Air, and Opera Australia, Maddalena Andrea Chénier Ópera Nacional de Chile*. (*canceled)
Vissi d'arte
Puccini - Tosca
Vissi d'arte
Puccini - Tosca
In this Teatro dell'Opera production, the protagonist is the young Polish soprano Ewa Vesin. No doubt, she is one of the few sopranos able to cope with this taxing role. She is a soprano with a good and well set voice as well as a wide extension of range. She fits the role well, and makes Renate's strikingly evocative obsession credible - her sexual relationship with the devil that she believes to be an angel, first, and a knight, later, her contagion to a whole group of nuns, and her trial and condemnation to be burnt at the stake. She marshaled an array of colors. She is warm and elegantly contoured whenever she reminisced about the angel. Her voice becomes shrill and cutting when her hysteria reached fever. She is also a superb actress.
In particolare la Renata di Ewa Vesin, sempre in scena, d’una fatica sovrumana per il soprano questa partitura, eppure l’interprete non appare mai stanca, è duttilissima, splendida attrice che canta o cantante che recita, sono tutt’uno. Come dovrebbe sempre essere in teatro un cantante.
Ewa Vesin adapts with ease to the demanding and taxing role of Renata, rich in hallucinatory soliloquies, lyrical leaps and shouted moments.
