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Artist Profile

Alexandra Razskazoff - Profile picture
© Kendra Irene

Soprano

Alexandra Razskazoff

Winner of the Metropolitan Opera Laffont Competition

"Alexandra Razskazoff, whose soprano was rich, distinctive of timbre, and penetrating, and possessed a lovely bloom on top."
- OPERA NEWS

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Ekaterina Belova
belova@tact4art.com

Representation

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Upcoming Past
Apr 2024
27.
17:00

17:00

Arthur Fagen, Conductor
Tomer Zvulun, Stage Director

Apr 2024
30.
17:00

17:00

Arthur Fagen, Conductor
Tomer Zvulun, Stage Director

May 2024
3.
17:00

17:00

Arthur Fagen, Conductor
Tomer Zvulun, Stage Director

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Jul 2023
11.
18:00

18:00

Roberto Rizzi Brignoli, Conductor
Rodrigo Navarrete, Stage Director

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Biography Highlights

 
 

Upcoming & Recent

Micaëla Carmen and Mimì La bohème at Teatro Municipal de Santiago, Donna Elvira Don Giovanni* in a new production at El Tec de Monterrey, Mexico and with Teatro Grattacielo at the Phoenicia International Festival of The Voice, Suzel in Teatro Grattacielo's production of Mascagni's L'Amico Fritz, debut with Atlanta Opera as Wellgunde Das Rheingold, Giannetta L'elisir d'amore at Palm Beach Opera, Lisa in Lehár’s Das Land des Lächelns with Washington Opera Society.
 
Concerts with the Dallas Symphony Orchestra, Washington Opera Society, Maryland Opera, Vero Beach Opera, Mid-Atlantic Symphony, Maryland Lyric Opera and Panama City Symphony and also Beethoven's 9th Symphony with Bozeman Symphony.
* cancelled

 
 

Awards

Grand Finals Winner in the 2022 Metropolitan Opera Laffont Competition.

 
 

Portraits

Alexandra Razskazoff, Soprano
© Kendra Irene

Mozart - Don Giovanni - Mi tradi quell'alma ingrata

Mozart - Don Giovanni - Mi tradi quell'alma ingrata

Puccini - La Boheme - Donde lieta usci

Puccini - La Boheme - Donde lieta usci

Britten - Peter Grimes - "Embroidery, in childhood..."

Britten - Peter Grimes - "Embroidery, in childhood..."

 

Reviews & Press

 
 

Academy of Vocal Arts - Verdi - La traviata - Violetta

AVA’s young cast gave thoroughly professional performances. Alexandra Razskazoff, a first year resident artist, epitomizes what’s special about this school. Razskazoff already has a bachelor’s degree from the Peabody Conservatory and a master’s from The Juilliard School, and then auditioned for admission to AVA. This was her first performance as Violetta, the meatiest role she’s yet assumed, and she handled it with finesse, indicating superb training. She has a full, rich (cont...) ...sound yet had no trouble with coloratura and the optional high E-flat just before the end of ‘Sempre libera’. She also scaled down to fine pianissimi in her death scene...(Too many Violettas are lightweights who lack the necessary power for “Amami, Alfredo” while others run into difficulty with the coloratura. Razskazoff was fine in both areas.)
 

- THE CULTURAL CRITIC

Teatro Grattacielo - Mascagni - L'amico Fritz - Suzel

The real find was soprano Alexandra Razskazoff as Suzel. Her full dark soprano is capable of lyric charm floating pianissimos. Yet she also has nascent spinto potential filling out climactic phrases and passionate declamation with rich, soaring tone. Razskazoff phrases with style and musicality making one long to hear what she can do in middle Verdi and Puccini—the vocal goods are there.
 

- PARTERRE BOX

Suzel was Alexandra Razskazoff, whose soprano was rich, distinctive of timbre, and penetrating, and possessed a lovely bloom on top.
 

- OPERA NEWS

Municipal de Santiago - Puccini - La Boheme - Mimi

A big surprise was also the debut of American Alexandra Razskazoff as Mimì, a soprano of incredible beauty capable to project vocally and with her subtle expressions to embody the fragile Mimi.
 

- OPERA MAGAZINE

Mimi, soprano Alexandra Razskazoff: this is a large record, sound very interesting soprano something dramatic, expressive, with a musical line. Despite this darker timbre keeps the freshness in the role. For my taste the best performer of all the cast.
 

- EL MOSTRADOR

Stage Highlights

At a glance: Alexandra Razskazoff: news & press