© Alina Madrasova
Bass-Baritone
Alexander Miminoshvili
"...superbly focused and affecting" - Seen and Heard
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Past
Jun 2024
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Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
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Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
Jun 2024
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Pedro-Pablo Prudencio, Conductor
Christine Hucke, Stage Director
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Biography Highlights
Upcoming & Recent
Figaro Le nozze di Figaro Glyndebourne Tour, Bolshoi Theatre in Mocow, Opernhaus Zürich, Il Capitano, Vulcano, Giove La finta pazza Opéra Royal de Versailles and Royal Concertgebouw in Amsterdam, Giant, Mandricardo Il palazzo incantato Opéra de Dijon, Nancy, Opéra Royal de Versailles, Don Alvaro Il viaggio a Reims, Lebedev The Idiot, Le Dancaïre Carmen, The Lamplighter, Reindeer The Story of Kai and Gerda, Aeneas Dido and Aeneas, Maximilian, Captain Candide Bolshoi Theatre Moscow, Leone Tamerlano concert Moscow Philharmonic, Starvinsky’s Pulcinella and Lokshin’s Symphony no. 5 “Shakespeare’s Sonnets” with La Voce Strumentale Ensemble.
Previous
Erimante Erismena Festival d’Aix-en-Provence, Opéra Royal de Versailles, Saint-Denis Festival, and Les Théâtres de la Ville de Luxembourg, Ebro, Giove La morte d’Orfeo Dutch National Opera Amsterdam, in concert Fenicio Ermione and Emireno Ottone Moscow Philharmonic.
Portraits
© Alina Mordasova
© Alina Mordasova
© Alina Mordasova
© Alina Mordasova
© Alina Mordasova
© Alina Mordasova
© Alina Mordasova
Reviews & Press
Amsterdam National Opera - Landi - La morte d'Orfeo - L'Ebro
The bass Alexander Miminoshvili gave a superbly focused and affecting monologue, ‘Lascia, Diana, omai le’erranti spere’
- CClarke , Seen and Heard International
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Zurich Opera - Mozart - Le nozze di Figaro - Figaro, personal valet to the count
Alexander Miminoshvili hatte als Figaro nicht nur die Sympathie des Publikums, sondern auch die meisten Lacher auf seiner Seite. Er scheint die Rolle seines Lebens gefunden zu haben und ging geradezu in seinem Spiel auf. Stimmlich präsentierte sich der russische Bassbariton mit kantiger, agiler Stimme. Seine differenziert gezeichneten Gesangslinien, bot er u.a. in „Aprite un po'quegli occhi” eindrucksvoll dar.
