Marcela Rahal, the rising mezzo-soprano, has made a remarkable debut at the prestigious Teatro alla Scala, singing the role of La Baronessa di Champigny in Il Cappello di Paglia di Firenze. Her performance received widespread acclaim from critics, highlighting her vocal finesse, captivating stage presence, and expressive interpretations.
In her portrayal of the Baroness, Marcela Rahal captivated audiences with her “ravishing, mellow mezzo,” which endowed the character with all the seductive allure required. Laura Servidei of Bachtrack praised her timbre as “uniform across her range,” emphasizing Rahal’s vocal consistency and mastery of the role.
Giovanni Botta of Opera Click echoed this sentiment, commending Rahal for her “opulence and smoothness of timbre,” as well as her “generous projection” and “rich volume.” Her nuanced phrasing and ability to navigate the score’s demands with a “soft emission” and “rich dynamics” further solidified her status as a standout in the production .
Meanwhile, Attilio Cantore of MusicPaper.it highlighted Rahal’s noble and coquettish portrayal, noting her ability to imbue the Baroness with an air of aristocratic charm while drawing parallels to the classic Merry Widow character. Cantore also praised her dynamic interaction with other cast members, adding to the performance’s overall delight .
The critical consensus was reinforced by Marco Faverzani and Giorgio Panigati of Opera Libera, who described Rahal as a “noble, passionate, and fiery” Baroness, with her “amber and captivating” voice winning over the audience. Her expansive vocal range and alluring tonal qualities added depth and excitement to her character.
Following the tremendous success of her debut, Marcela Rahal is set to return to La Scala on September 26 and October 5, 2024, for a highly anticipated jump-in performance as Aristea in a new production of L’Orontea by Robert Carsen. This new role further solidifies her rapid ascent in the opera world, and audiences eagerly await her next stage triumph.