Ópera Nacional de Chile, Municipal de Santiago - La forza del destino - Padre Guardiano, April 2019

La mayor revelación fue el ucraniano Taras Berezhansky, un Padre Guardiano con voz de grano oscuro, esmalte sin melladura, calibre poderoso. Un placer escuchar sus descensos a los Fa grave que pide la partitura, no meramente rozados, sino prodigados con duradera soltura, todo ello unido a un desenvolvimiento actoral que transmite la nobleza y profundidad humana de un personaje de pocas aristas. Es de retener este nombre, que bien podría alcanzar una consagración de primer plano internacional

- Andrés Yaksic, Economia y NegociosRead the article

mientras la gran revelación de este elenco fue un espléndido bajo ucraniano, Taras Berezhansky, un sonoro Padre Guardiano de bella voz, cómodo en todo el registro. 

- Una Voce Poco FaRead the article

El bajo ucraniano Taras Berezhansky fue uno los cantantes más ovacionados, las razones; una poderosa y bellísima voz, tiene enorme musicalidad y convincente actuación, creemos que sería una gran noticia saber que volvería al escenario del Municipal, su Padre Guardiano fue de prestancia inolvidable.

- VisionescriticasRead the article

Opera Australia - La Bohème - Colline, January 2019

Berezhansky made his OA debut last year as Sparafucile, and his stylish, subtle turn here as the philosopher of the group only reaffirmed my favourable impression of the singer. It’s a beautifully weighty instrument that has exciting repertoire options ahead of it, and for once the Coat Aria felt like an affecting moment of sacrifice rather than an irritating hold up to the drama.

- Limelight Magazine, Justine NguyenRead the article

Taras Berezhansky as the philosopher Colline was amiably woolly, gruff and melodious in the coat song in the final act.

- The Sydney Morning Herald, Peter McCallumRead the article

Northern Ireland Opera - Rigoletto - Sparafucile, October 2018

Taras Berezhansky as Sparafucile, who’s velvety yet sinister tone was beguiling, played his character with believable sincerity.

- Bachtrack, Leighton JonesRead the article

Taras Berezhansky provided us with a chilling Sparafucile and his powerful voice and dark vocal timbres were ideally suited to the role. Fleur Barron’s Maddalena was a saucy, manipulative creature and she sang with confidence and ease.

- Seen and Heard, Robert Beattie Read the article

Opera Australia - Rigoletto - Sparafucile, July 2018

"Taras Berezhansky had menace in the low register and unyielding vocal firmness as the assassin Sparafucile"

- The Sydney Morning Herald, Peter McCallumRead the article

The scene focuses on Sparafucile (an assassin well portrayed and sung  by Ukrainian  Taras Berezhansky, also making his OA debut).

- Jwire, Victor GrynbergRead the article

Taras Berezhansky, as sinister gravelly voiced Sparafucile, menacing  assassin and publican was macho and dominating.

- Sydney Arts Guide, Lynne LancasterRead the article

Taras Berezhansky, was a revelation as Sparafucile.  Here was  handsome young man with a rich evenly placed bass voice.   He was in turns chilling, particularly threatening with his sister – believable in his thieves honour – and respectful of the death bargain he has struck with Rigoletto. 

- Words and Music, Gar JonesRead the article

Opera Royal de Versailles - Il Giasone - Ercole

L’Ercole de Taras Berezhansky est amusant en musclor survitaminé, objet de quelques attentions sensuelles de Giasone. Mais il est surtout servi par une voix de basse aux superbes couleurs, parfaitement projetée et à la technique baroque impeccable. 

- OperaphileRead the article