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©Beata Nykiel

Ania Jeruc

Soprano

various
RECENT AND UPCOMING ENGAGEMENTS

Helena in Le duc d'Albe at  Opera Vlaanderen, Violetta in Opera North’s new production of La Traviata, Mathilde in Polish National Opera's production of Guillaume Tell directed by David Pountney, Hanna in Moniuszko's Haunted Manor, Helena in Jerusalem for Theatre Freiburg, Adina L'elisir d'amore for Lismore Festival in Ireland, Donna Elvira for English Touring Opera, her Swedish debut as Violetta for Opera på Skäret Festival, and gala concerts with the Swedish Chamber Orchestra and the Royal Philharmonic Orchestra at the Royal Festival Hall.

 

Recent engagements include Violetta for Wexford Opera Festival and Dorset Opera Festival (directed by Sir Jonathan Miller), guest soloist in a gala concert at Wexford Festival, and Fiordiligi and Micaela for London Festival Opera.

 


OPERATIC ENGAGEMENTS

Violetta La Traviata (Wexford Opera Festival, Dorset Opera Festival), Pamina The Magic Flute (Wexford Opera Festival), Fiordiligi Cosi fan tutte, Micaela Carmen (London Festival Opera), Magda La Rondine, Musetta La Bohème, Monica The Medium, Magda The Consul, Minerva Orpheus in the Underworld, Leona La belle Hélène, Zofia Halka


CONCERT ENGAGEMENTS

Grand Organ Gala Soloist (Royal Festival Hall, Royal Philharmonic Orchestra), Exsultate Jubilate (Dolnoslaski Music Festival, Poland), Verdi Requiem (Shaldon Festival), Opera Gala Limerick European City of Culture (Voices of Limerick, Philip Thomas), Elgar The Spirit of England, Vaughan Williams Dona Nobis Pacem, Bach St John Passion (Bath Abbey, Bournemouth Symphony Chorus, Southern Sinfonia and Opera North's ‘A History of Opera in Song’ Season Launch Concert (Harewood House), Petite Messe Solenelle Rossini (All Saints Church, London)


CONDUCTORS

Oliver von Dohnányi, Andriy Yurkevych, Andrew Greenwood, Michael Rosewell, Philip Thomas, Robert Dean, Gavin Carr


DIRECTORS

Sir Jonathan Miller, David Pountney, Alessandro Talevi, Marcello Mottadelli


AWARDS

Suwalki President Scholarship, International Voice Competition, Duszniki Zdrój, Competition for Young Opera Singers, Katowice, Moniuszko Competition, Podlasie, Halska Competition Wroclaw, 2012 Gerard Arnhold Award, Most promising singer Award at Wexford Festival Opera 


STUDY

Panstwowa Szkola Muzyczna, Suwalki (M. Borowska), Vocal and Acting Faculty, Breslau (E. Sasiadek, Masters of Music (MMus Hons)


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Предстоящие события

Декабрь 2017
0315:00

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

0619:30

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

Июль 2018
1920:00

Verdi - I Lombardi - Giselda

Opernfestspiele Heidenheim

Marcus Bosch, Дирижер

Tobias Heyder, Режиссер

2020:00

Verdi - I Lombardi - Giselda

Opernfestspiele Heidenheim

Marcus Bosch, Дирижер

Tobias Heyder, Режиссер

Прошедшие события

Ноябрь 2017
1719:30

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

2119:30

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

2519:30

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

2919:30

Donizetti - Le duc d'Albe - Hélène d'Egmont

Opera Vlaanderen

Andriy Yurkevych, Дирижер

Carlos Wagner, Режиссер

Июль 2017
0819:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Июнь 2017
0217:30

Donizetti - L'Elisir d'Amore - Adina

Lismore Opera Festival

Marco Zambelli, Дирижер

Dieter Kaegi, Режиссер

0317:30

Donizetti - L'Elisir d'Amore - Adina

Lismore Opera Festival

Marco Zambelli, Дирижер

Dieter Kaegi, Режиссер

Апрель 2017
1719:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

2119:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Январь 2017
0719:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

2219:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

2719:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Декабрь 2016
0819:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

1119:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Ноябрь 2016
1312:00

Moniuszko - The Haunted Manor - Hanna

Polish National Opera, Warsaw

Ewa Strusińska, Дирижер

Marta Kluczyńska, Дирижер

David Pountney, Режиссер

1512:00

Moniuszko - The Haunted Manor - Hanna

Polish National Opera, Warsaw

Ewa Strusińska, Дирижер

Marta Kluczyńska, Дирижер

David Pountney, Режиссер

1919:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

3019:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Октябрь 2016
0119:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

0319:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

0915:00

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

1419:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

2219:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

2719:30

Verdi - Jérusalem - Hélène

Theater Freiburg

Fabrice Bollon, Дирижер

Calixto Bieito, Режиссер

Июнь 2016
0419:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

0619:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

0819:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

1019:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

Май 2016
3019:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

3119:30

Mozart - Don Giovanni - Donna Elvira

English Touring Opera

Michael Rosewell, Дирижер

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Freiburg Theatre - Jerusalem - Hélène, 2016/17

As Helene, Ania Jeruc excelled with brilliant attack, gleaming high notes, confident coloratura and contained intensity of expression.

- Opera Magazine March 2017 Rolf Fath

Vom lyrischen Kern bis zur Dramatik ungemein facettenreich präsentierte sich Anna Jeruc. Eine Sopranistin, die bis zur letzten Faser alles gibt. Wie sich diese Hélène ins Zeug legt, wie sie leidet: Das berührt.

- Badische Zeitung

Die polnische Sopranistin Anna Jeruc zeigt als Hélène die Zwischentöne, die der Regie fehlen. Auch wenn ihre obertonreiche, lyrische Stimme dramatischer wird, bleibt sie rund und perfekt geführt – trotz darstellerischer Herausforderungen.

- Südkurier

Allen voran Anna Jeruc als Hélène: Die polnische Sopranisten verfügt über einen echten Spinto-Sopran, lyrisch grundiert, mit fulminanter Durchschlagskraft in den dramatischen Passagen und den Massenszenen, sicherer Höhe, Agilität in den Koloraturen und ein wunderbar tragfähiges Piano, ein faszinierendes Singen in der mezza-voce Szene (Une pensée amère). 

- Kaspar Sannemann, Der OpernfreundПрочитать статью

Sopranistin Anna Jeruc begeistert mit schwungvollen Koloraturen und dramatischen Aufschwüngen. 

- Rudolf Hermes, Der OpernfreundПрочитать статью

»Anna Jerucs Hélène ist eine vokale Sensation: ein ganz eigenes, leuchtendes Soprantimbre, rund, ausgeglichen in allen Lagen, mit dramatischen Höhenraketen und einem kostbaren, substanziellen Piano, dazu trittfest auf dem Parcours der Koloraturen.«

- Opernwelt, 11/16


La Traviata - Violetta

Phenomenal, big-hearted performance by Anna Jeruc, who really lived the life of Violetta with fearless, touching, well sung moments...

- OPERA NOW

This is a triumph for Ania Jeruc. The audience said it all as she took her bow at the end, with numerous curtain calls. Performing here in her first role for Opera North, her soaring soprano is a joy to listen to, and she is physically perfect for the role. TShe is tall and slim, pale skinned and dark-haired, and her acting ability brings joy and pathos to the massive role of Violetta. I spotted more than a few hands move surreptitiously towards their eyes to wipe away a tear as the tragic story unfolds.

- YORKSHIRE MAGAZINE

Polish diva Anna Jeruc takes over the role of Violetta from Hye-Youn Lee, and this strengthens the production in several ways. While Lee made a sweet, vulnerable heroine, she always seemed too young and fragile for opera’s prima demimondaine. Jeruc-Kopec owns and understands the role; we believe she is a woman who, about to pay a cruel price for having devoted her life to pleasure, allows her final steps to take another, more profound, more noble path. She sings the doomed woman’s arias with passion and awareness, and her curtain call is rightly greeted with a resounding ‘Brava!’ from many quarters of the auditorium...Tonight's audience revels in the triumph of delight. Brava..."

- BRITISH THEATRE GUIDE - Martin Thomasson

Alexander Niclasson's Traviata at Opera på Skäret has one very strong card: the Polish soprano Ania Jeruc in the role of Violetta. As well as having strength and total control over her voice - not least in the murderous final aria in Act 1 - she also has a beautiful timbre and is the whole time immersed in her role. When she tenderly reduces the volume she doesn't lose any intensity, which is gloriously demonstrated in the Act 2 duet with Germont senior.

- Dagens Nyheter

The rare sunshine shone over the premiere-audience at Skäret on Saturday afternoon. And on the stage shone another brightly shining star. The Polish soprano Ania Jeruc is one of the best soprano voices I have heard live. And...she can act. She gives a heart-wrenching and very believable portrait of the courtesan Violetta Valéry.

- Nerikes Allehanda

But for once – just once – I was engaged here, by a Polish soprano called Anna Jeruc-Kopec who has a quality of voice beyond the reasonable expectations of a little show like this, and a theatrical intensity to match. The timbre of the voice is pearly, almost Gheorghiu like, with fierce attack and a generally secure coloratura. But above all, she's incredibly moving and dies so beautifully that for the first time ever (and I mean this) Violetta's last gasps drew a small tear from my tired old critic's seen-it-all-before eyes...

- Michael White - THE TELEGRAPH


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