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Juan de Dios Mateos

Tenor

worldwide excl. Spain

Biography highlights

Born in Almeria (Spain), he started his music studies in the Conservatory of Almería, where flute was his main instrument. In 2010 he obtained his diploma on Music Education by the University of Almería. One year later he finishes his flute studies and in 2013 gets his Master diploma by the University of Jaén in Acting and Opera Interpretation.


His singing career starts in 2009 with Le Nozze di Figaro (Basilio and Curzio). Since then he has performed Don Giovanni (Don Ottavio), Bastien und Bastienne (Bastien),  West Side Story (Tony), The Phantom of the Opera (Raoul), Luisa Fernanda (Javier) in between many opera and zarzuela recitals in Spain, France, England and Germany. 


Mateos has studied with Raina Kabaivanska, Hedwig Fassbender, Ildar Abdrazakov, Luciana d’Intino or Jaume Aragall among others. Currently he keeps working with Carlos Aransay and Guy Flechter.


In 2016 he became one of the members of the National Opera Studio of Paris, with whom he has performed Owen Wingrave (Sir Phillip/Narrator), Les Fêtes d’Hebé (Mercure/Thélème), Bastien et Bastienne (Bastien) and the tenor part in The Little Match Girl Passion by David Lang in between different concerts. All in Palais Garnier, Opéra Bastille’s Amphitheatre or Royal College of Music (London).

 

Among his next projects, he will make his debut in Teatro Campoamor in Oviedo (Spain) with Il Turco in Italia (Narciso) and again in Liceu with Semiramide (Mitrane)


He was recently awarded with the second prize of Hariclea Darclée International Voice Competition.
He performs Il Viaggio a Reims (Cavalier Belfiore) in Gran Teatre del Liceu, opening the season 2017/18 of the theatre and Reigen (Der Soldat) by Boesmans again with the Opera Studio of Paris among some concerts and competitions.


Currently he prepares the Final Rounds of Tenor Viñas Competition, in January 2018, as well as a recital en Beirut (Lebanon) and another in Palais Garnier in Paris.


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Previous

March 2018
1720:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

1914:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

2120:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

2214:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

2320:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

2420:00

Kurt Weill - Kurt Weill Story - Juande

Opéra National de Paris

Benjamin Laurent, Conductor

Mirabelle Ordinaire, Stage Director

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Opéra de Paris - Les Fêtes d'Hébé - Tenor

"Juan de Dios Mateos’ Mercure – the best of the male voices of the evening, strong and persuasive."

- Bachtrack, David KarlinRead the article

"l'Espagnol Juan de Dios Mateos régale surtout sous les atours du Mercure précité, emploi de haute-contre à chausse-trapes qu'il surmonte avec prestance"

- Baroquiades, Jacques Duffourg-MüllerRead the article


Opéra de Paris - Bastien et Bastienne - Bastien

"Juan de Dios Mateos Segura a le ravissant timbre clair de ténorino d'un autre Juan, Juan Diego Florez, et on lui souhaite la même carrière."

- Culturebox, BrenardRead the article


Gran Teatre del Liceu - Il Viaggio a Reims - Belfiore

" el joven cantante de Almeria Juan de Dios Mateos nos ofreció un Cavalier más gamberro, más actual, más deshinibido que junto con una bella línea de canto le hizo triunfar en su dúo con Corina ya citado."

- Codalario, Robert BenitoRead the article

"Destacó entre los debutantes jóvenes solistas españoles la voz fresca y de fácil emisión del tenor de Almería Juan de Dios Mateos. Firmó un Caballero Belfiore desinhibido, de canto espontáneo, emisión desahogada y libre, merced de un timbre atractivo y diáfano, quien cantó el bello dúo con Corinna “Nel suo divin sembiante” con una naturalidad y gracilidad canora de veras llamativa. Si sumamos su adecuación física y seguridad teatral, y que debutaba tanto el rol como su debut en un teatro de primer nivel como el Liceu, se trata de una voz sin duda a seguir."

- Platea Magazine, Jordi MaddalenoRead the article


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